Today is a return to Liverpool Street station, this time completing the end of the line journey on the London Overground with destinations from Enfield, Cheshunt and Chingford. A fitting day too as the BBC News is featuring an article on those who were saved by the Kindertransport rescue effort and reliving the journey they once took as children over 80 years ago.
Commemorative statues can be found inside the station by the underground entrance, and outside in Hope Square in memory of the 10,000 or so children saved during the Second World War, and of course to countless others who were not saved.


I’ll not retrace the ground I covered during my visit in March 2019 but had thought of venturing a little further afield. But not before a walk up and down platform 1, one of the main platforms used by the Overground line. For some time now, the platform has become the home of ten JCB style yellow diggers which are being used to re-lay track just outside the station. What fascinated me were the two gents in high-vis jackets sitting by these diggers who explained that they were there during each weekday to ensure no one wanted a closer look at them. A soul destroying job I’m sure.


On my countless journeys in and out of this station over the past 30 years I’ve frequently stared thoughtlessly out of the window at the passing trains shuttling to and from remote destinations. But today I decided to try and get a different view and travelled one stop on the Overground to Bethnal Green station. The view looking westerly towards Liverpool Street station is bewildering with new buildings all around, iconic City buildings such as the Gherkin to the left, and further afield to the south, more iconic buildings in Canary Wharf such as One Canada Square. But the one that fills my vision is the myriad of stanchions and overhead lines that converge from 18 platforms in Liverpool Street Station into the six independent tracks that feed to services north and eastwards.

I also take a moment to reflect on the old and new whilst at Bethnal Green station too. The first image here is of a cut off stanchion, presumably supporting on older (now redundant) overhead line. What attracts me to this is the creation of the rusty ‘H’ in the discoloured, but nevertheless colourful concrete base. The second is a collection of pulleys, set against the azure blue sky, that take the tension from the overhead lines. I think it’s an interesting study showing off some of the intricate engineering involved in providing overhead power to today’s trains.


Later in the day returning to the station via Exchange Square, I stumble on today’s work of art entitled the Broad Family sculpted by Xavier Corberó. It’s a study in rock of a mother, father, child and dog. There’s no Google maps reference for this but I found it in an unnamed passageway between Appold Street and Sun Street Passage: here’s an interesting close up of the child statue. If you’re in the vicinity go and take a look.

Exchange Square is a hive of activity, mostly office workers wining and dining or simply taking a break. Today has the added attraction of the Men’s semi-final tennis matches at Wimbledon on show on large screens for all to see. And what better way to enjoy all these activities than with a cup of Pimms, cordially served by Akeem…cheers!


The Arches
In true ‘East Enders’ style the area in the immediate surrounds of Bethnal Green station is awash with garage repair shops, predominantly for London Black Cabs. Three Colts Lane, and the cut through under the railway in Collingwood Street and Tapp Street are awash with Black Cabs in various states of dis-repair. My ‘picture of the day’ is representative of the state some of the abandoned cabs have been left in. These garages stretch under several arches and peering into the workshops it’s clear they’re a hive of activity.

There seems to be an unwritten circular route around Cudworth Street where cabs are moved about with little regard to their not having number plates, and although there’s the occasional roaming police presence, I sense it’s more for show than control.

The scene has an attractive grittiness to it and as I ponder on capturing the right picture whilst standing in the middle of the road, I’m beckoned by Jengins (?) to take his picture. Not wanting to disappoint him, and at the same time capture this jovial character, we exchange a few words and I happily oblige; and he’s more than happy with the outcome.

Running along Dunbridge Street walking in parallel with the railway line, there are a few small cafe’s clearly serving the local working population. One of these, Breid, draws me in for a closer look at its simple, urban feel which has a certain appeal. Maybe it’s because of its open bakery where the ovens and preparation areas are on full view and it in some way reminds me of a local bakery in my hometown where as kids, we’d be welcomed in to sample the day’s cakes and breads – within reason of course.

Breid is a local artisan bakery making sourdough bread for the local community, and serves up specialist hot drinks; and as I’m keen to capture the experience, I’m pleased that the baker is happy for me to take some pictures. Thank you.

Whitechapel
I’m not far from Whitechapel so I head south passing Swanlea School; a compact secondary school somewhat surrounded by the development of the new Whitechapel Station being built to accommodate the Elizabeth Line. This station will eventually serve trains from Shenfield and Abbey Wood passing through to Heathrow and Reading.


Onto Whitechapel Road, and at its junction with Fieldgate Street I’ll pose today’s quiz question: what have Big Ben and the original Liberty Bell in common? Well, both bells were made at the Whitechapel Bell Foundry which has been based in the area since 1570. Sadly the business closed in 2017 and the premises sold on, but thankfully the Grade II listed status ensures its heritage will continue into the future. Although looking a little dishevelled from the outside, you can feel its history as you walk around.

A mere stone’s throw away is the renowned Brick Lane, buzzing with tourists, school children on a field trip and local office workers alike browsing the many markets and sampling the myriad of international foods on offer. Today the street is synonymous with the Bangladesh community and known for its curry, but the area is steeped in industrial and social history from the 15th Century to date. No guessing how it got its name, but it was also the home of the French Huguenots in the 17th Century, and later in the 19th and 20th Century, Jewish and Irish immigrants.


To do justice to Brick Lane I probably need to return, so for today I merely scratch the surface of what I see. Nevertheless, there’s still plenty of variety and colour on show, especially from street and graffiti artists alike.



As I bid farewell with a promise to return, I meet one resident who’s not very talkative as he/she is focusing on matters a little further away.

Picture of the Day
There are several contenders today, but I’ve chosen this one of an abandoned Black Cab with its windscreen smashed in for several reasons: It epitomises travel in London; it has reached its own end of the line and it is one in a long line of Black Cab’s abandoned under the railway arches nearby London Taxi repair garages.
I tried several shots with a wide angle lens, but decided on a longer range shot using a 75-300mm zoom lens to help me get a tighter shot and get the row of taxis together; limit the background and capture enough contrasting light to help balance and frame the result. The Vista black & white filter is perfect in emphasising the cab’s blackness and highlights the contrasting light through the arches and the overhead lighting.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5; Shutter Speed – 1/500; Focal Length – 160mm (75-300mm zoom); Film Speed – ISO1600; Google Photo Filter – Vista (Black & White)
Social Media
YouTube, Instagram, Google Photos, Triptipedia – here I share some tips I use when travelling around London. A different twist on my ‘end of the line’ story