Today’s a creative day shooting predominantly in Black & White once I’d finished exploring the main station area; I’ll explain why a little later. But first, it’s to the end of the Metropolitan and Piccadilly lines at Uxbridge, the journey takes me almost from one end of the Metropolitan line at Liverpool Street to Uxbridge. I had thought maybe travelling to Aldgate (one stop) in the opposite direction to lay claim to a complete end to end journey – but I didn’t.
The station has three platforms with a two level concrete canopy. The higher level over the middle platform which serves the Metropolitan line, and a lower canopy over the outer platforms serving the Piccadilly line. This maybe because the Metropolitan line trains are taller than the Piccadilly line trains, but I’ve no evidence to substantiate this.
I didn’t know this, but until the mid 1930’s, the station was served by the District line, but the service was taken over by the Piccadilly line which now serves as the main artery from Ealing Broadway.
The concrete canopy extends from the platforms over the booking hall which is overlooked by colourful stained glass representing the area’s association with the counties of Middlesex and Buckinghamshire before the creation of the London Borough of Hillingdon. You can’t see the stained glass from the front, but adorning the entrance from the outside are a pair of winged wheels in an art deco style.
On the north eastern approach to the station, there are large sidings, empty at the time of my visit, presumably for the overnight storage of trains at the end of the day. As an aside, getting to the station was trouble free, but my journey back was blighted by a points failure at Ickenham which affected the Piccadilly trains but thankfully the Metropolitan line had a reduced service allowing me to travel as far as Rayners Lane where I could pick up the limited Piccadilly line service.
The town centre is largely pedestrianised dominated by the railway and bus station at one end, and Hillingdon Council offices at the other end. The council offices are in the main, a collection of brick monstrosities – functional but soulless, featureless and uninviting.
The town centre is a mix of local independent shops and the obvious high street stores, all overlooked by two shopping centres: the more modern Intu Centre and a classic 60’s style concrete Pavilions centre. Both centres host the standard larger retail stores and both are served by large car parks which are accessed via the ring road surrounding the town centre.
Walking around the town, I find few things of interest, although this cutting from the Intu centre to the High Street provides a colourful interlude. And on the outskirts, I see this wall mural in homage to a local landowner, Kate Fassnidge, who bequeathed the park land now known as Fassnidge Park to the District Council.
I take a walk through the park, and see many doing the same and enjoying the shade under the trees as they eat their lunch. The Fray’s River runs through to the adjoining Rockingham recreation ground serving as a conduit for the local ducks and swans. The birds are clustered around an elderly lady feeding them on the river bank by the bridge at Rockingham Road.
A study in Black & White
By this point, I realise I’ve taken very few pictures and I’m starting to think about how best to represent my visit to Uxbridge. The overarching architectural feature is concrete and brickwork, and as I return to the town, I find I’m at the car park entrance of The Pavilions shopping centre looking up at the footbridge that allows pedestrians to access from the other side of the ring road at Oxford Road.
I have an idea: One of my aims in following this ‘end of the line’ journey is to fall back in love with digital photography, and to this end with my current camera. I decide to set a filter on my camera to ‘Grainy B/W’, and leave it in this setting mode for the rest of the day. And as I do, I find I’m transported back to the early 1970’s, a time when I used to develop my own pictures using B&W film.
Around the back of the shopping centre, I spot a large wooden clad shed. It turns out to be a local taxi firm, and I’m intrigued by its character which stands out so well with its graininess accentuated in black and white.
Through a little alleyway, I enter Windsor Street where I find a parade of small beauty and health related businesses and this is where I meet Reez, Rosh and Graeme. You see, as I pass Reez the Barbers, I’m drawn to the scene of two barbers meticulously tending a customer’s beard as they trim it. As they are right by the front door I stop to admire the precision with which Reez and Rosh are operating and chat to them and Graeme, their customer who are all kind enough to allow me to take some pictures.
Around the corner is the Charter Building. Once the headquarters of Coca Cola, it has now been refurbished into a fashionable workspace, a growing concept across the city where businesses can rent flexible workspace as their businesses grow. As I explore inside the building, I notice some similarities with The Whitechapel Building in Aldgate, where I last worked for the Government Digital Service. I chat with Tigi and Tehlia, the building receptionists who give me permission to take some internal photos.
I start following a sign for the Battle of Britain Bunker and a half hour later I arrive at my destination to find out two things: I’d just walked three sides of a square to get here as I had in fact followed the road signs instead of a shortcut footpath. And although the venue was open, it has just closed its admissions for the day. Argh! But not to worry as I’ll visit again on my return to Uxbridge. There’s enough outside interest to explore before heading back to the station through Dowding Park.
Picture of the Day
I spent most of the day with my camera set in Black & White mode, and this picture comes from that collection. The graininess I’ve applied to this picture adds a particular edge to it which I think works well. I’m standing on the footbridge over the Oxford Road leading to the car park entrance to The Pavilions shopping centre.
The concrete and graffiti stand out and whilst I’m trying to get the right lighting effect, there’s an elderly gent walking down the ramp trying to avoid being in the picture. I respect his desire for anonymity and leave him to walk out of sight, but think that the photo would be better with someone in it.
I move onto the lower part of the ramp looking up. With the sun casting strong shadows, I line up the metal handrail on the right hand side so that my eye is drawn to the graffiti on the end wall. And as I’m crouched low, trying to emphasise the rising ramp, I wait for someone to walk into the shot. This gentleman obliges, unaware of my presence, apparently distracted by his mobile conversation – thank you.
Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/400; Focal Length – 51mm; Film Speed – ISO100; Google Photo Filter – Eiffel