Central Finchley is the other end of the Mill Hill East daytime shuttle service I wrote about earlier in April, and today I walk about five miles up and down Regent’s Park Road, Ballard Lane and High Road into North Finchley.
Finchley residents may disagree with me, but I only find a few places of passing interest, so I try to make the most of their history here. The majority of the day is about dodging torrential downpours, and whilst most of those out and about find this to be a troublesome inconvenience, I take full advantage to capture the mood of the changing weather conditions. But first…
This is one of three stations that carries the ‘Finchley’ name, all along the Barnet branch of the Northern Line; East Finchley and West Finchley being the other two. The station is typically Victorian retaining most of its original features, although this could have been quite different had plans to redevelop the rail network under the auspices of the Northern Heights Plan in the early part of the 20th Century materialised. However the Second World War scuppered those plans due to the cost of rebuilding the network after the war damage.
Access to its three platforms is gained from both the north and the south side of the railway line via Chaville Way and Station Road respectively, with a footbridge connecting all three platforms.
This is a busy part of London with a diverse community served by a thriving mix of independent shops ranging from ethnic eateries and groceries, beauty shops and barbers, charity shops, and thankfully only a few national chains. The link (above) does much to provide a history of the area, so I’ll not try to compete with this save for the following landmarks:
King Edward Hall – A prominent Grade II listed building situated in the convergence of Hendon Lane and Regent’s Park Road. It was built in 1911-12 as a private banqueting hall on the upper floors with shops on the ground floor; interestingly though it was used as a temporary hospital during the First World War. Currently in a somewhat dilapidated state, its restoration is now being considered.
Manor Farm Dairy – across the road on the corner of Victoria Avenue is a corner shop underneath flats in an impressive red bricked building. Look to the top and you’ll see set in each of the three facets the name ‘Manor Farm Dairy’. A little research through the annals of the British History Online site indicates the Dairy was founded c. 1875 by Joseph Wilmington Lane and joined in the 1920’s with United Dairies, which had been founded in 1917. From the middle ages, historical data shows the area was dominated by several Manors, each with their own dairies, and this unrelated article in The Times gives an interesting insight into the plight of dairies in their formative years.
Newton Wright Limited – All that remains of this maker of x-ray equipment and scientific instruments is what I presume to be the factory gates which now sit proudly on Ballards Lane. Sadly the factory which once stretched as far back as 30 houses behind Ballards Lane is now itself a housing estate.
Joiners Arms – diagonally across the road, and next to Tesco is this rustic inspired pub. As most high street pubs do these days, they have to cater for what their clientele want and so they offer sports TV to attract and retain their customers. Nevertheless, their exterior is attractive and well maintained, and they have creatively adopted the modern wall art genre to advertise themselves.
Grand Arcade, North Finchley – this arcade epitomises art deco at its grandest, but to see it you really have to look deep into the gloom as the arcade is largely unloved and has been left to deteriorate. A campaign against its demolition and replacement with modern offices and flats is being lead by Dave Davis, lead guitarist of The Kinks.
Today’s forecast is thundery downpours and I wish I’d prepared a bit better as I’m under dressed when the rain comes. The sky darkens ominously quickly and there is little doubt what is about to happen but I remain undeterred as I capture the moody skyline.
When the downpour comes, I’m at the front entrance to Tesco, cowering under a very narrow ledge that barely manages to keep me dry. But the spectacle of the rain bouncing back from the steamy pavement is too much to ignore so I set my camera near to the ground and capture the image created as the sun starts to re-emerge. People rushing by, eager to get under cover, seem oblivious to my presence so I’m able to get some interesting shots.
Once the rain stops, I carry on along Ballards Lane and stop at Lovers Walk, a small passageway which seems to invite me in to take its picture, but I can’t find a composition that works well. Almost walking away, I realise I’m leaning against a litter bin and notice its two open mouths face through to the passageway and this creates a different perspective. As I crouch down, I spot a young couple walking through the frame and I set about taking a series of shots composing their approach as the centrepiece; and they oblige unwittingly by keeping to the centre of the path.
Picture of the Day
I had intended having a predominantly black and white day to help capture the moody weather conditions, but when I saw this wall, it simply wouldn’t have worked in B&W. The location is on the side of a closed and dishevelled restaurant, the Central Restaurant, part of the Central House tower block complex on the corner of Ballard Lane and Nether Street.
It’s a very simple scene as this part of the wall has been painted in these three bright colours. The taking of the picture was less than simple as I’m positioned on the opposite side of the road, my camera low on the ground, and waiting for traffic queuing at the nearby traffic lights to move along. I’m keen to get a shot uninterrupted by cars, but this setting only gives me about two to three seconds every three minutes or so as the lights change and traffic moves by. I end up taking several shots to get the one I want, with the added challenge in that the sky is getting darker by the minute and about to pour, so there is some additional pressure not to get wet as well.
During the sequence, I set my camera to shoot in ‘art vivid’ mode which creates an enhanced effect by taking three consecutive shots with slightly different settings. The camera software stitches the individual pictures into one creating heightened colours. I’m pleased with the outcome but realise that the virgin shot (with no car interruption) lacks something in the composition, and I believe this one with a ghostly image of a car just entering the frame on the left hand side helps with the picture’s story. The effect is created by the image of the car being taken on the third shot and appears somewhat shadowy when stitched with the other two pictures. Let me know what you think about it.
Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/640; Focal Length – 55mm; Film Speed – ISO400; Google filter effect – Auti; Camera effect – Vivid