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Memories

Memories No 06 – from New Addington to Richmond

My sixth blog outlining the stories behind my ‘Pictures of the Day’. For this week’s review, I travel to the ends of the Central, District, Hammersmith & City, Jubilee and Tram lines through the New Year into late February 2019.

Not such a harsh winter to stop me going out, with maybe a few dull days, but more influenced by the shorter daylight hours than inclement weather. This week’s portfolio seems to have somewhat of a window theme to it. Either looking through; looking from or looking at. Not all, but most of them.

See what you think and please tell me which is your favourite picture, and why. You can contact me through any of my social media channels. So here goes for week 6. Please let me know what you think?

#36: New Addington – ‘Golden Alcoves’

10/01/2019 -This is the altar inside St Mary the Blessed Virgin church in Addington Village.

I took a series of shots with different settings, but this one is the most striking. I’ve not used flash here as I wanted to glorify the stained glass windows by keeping the rest of the church in the shadows. The combined effect of the light coming through the windows, and the low uplights in each recess transforms the final effect.

I’ve marginally cropped the picture to balance the three windows so that the middle one is centrally aligned, and a Bazaar (blue) filter to enhance the colours in the alcoves and windows. This is as close to the real image I could get, and I’m pleased with the outcome.

Golden Alcoves inside St Mary's Church, Addington Village

Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/100; Focal Length – 27mm; Film Speed – ISO5000; Google Photo Filter – Bazaar

#37: Edgware Road – ‘Minion Memories’

15/01/2019 – This is easy to explain – it just made me smile…

This scene, in a flat window in Porchester Place, a road that runs parallel with Edgware Road, is simply entertaining. I’ve cropped the picture and enlarged this portion, so I expected the quality to be affected. But I’m pleased that the detailed numbering on the Minions are still sharp enough to read.

Minion Memories in a window along Porchester Place

Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/200; Focal Length – 55mm; Film Speed – ISO1600; Google Photo Filter – Blush

#38: Woodford – ‘The Broadway Deli’

22/01/2029 – This one fits the bill for several reasons:

  • It’s a reminder of the time spent at the Deli & Grocery
  • Although the picture is ‘busy’, everything is framed and each window has its own story – if you zoom in on each pane, you can decide for yourself
  • The brief inclusion of the letter box acts as a reminder this was once the post office
  • There is an interesting juxtaposition with Sainsbury’s reflection providing a contrast between independent and chain retailer – I know which I prefer
The Broadway Deli & Grocery in Woodford

Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/100; Focal Length – 30mm; Film Speed – ISO100; Google Photo Filter – Blush

#39: Hammersmith – ‘Argosy’

29/01/2019 – This is one stack of books of many on display in the library in the Terrick Dining Room within Fulham Palace. I’ve selected this one more for it’s quizzical nature as on face value there are ‘stories within stories’ here. Such as:

It’s a simple picture which I’ve closely cropped so that the books themselves are the story in this picture.

Click on the links to answer the questions yourself…

A row of Argosy publications in the Terrick Dining Room at Fulham Palace

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/50; Focal Length – 48mm; Film Speed – ISO6400; Google Photo Filter – Alpaca

#40: Stratford – ‘A Walking Silhouette’

05/02/2019 – This was an easy one to identify as once I’d seen the outcome of the shot I knew it worked. The location, seasoned district line commuters will recognise, is the walkway between the Jubilee and District lines at West Ham.

I was trying different settings to catch the light and as commuters passed in waves, some looked my way. Those shots didn’t work, but persevering, this guy in muted commuter mode ignoring everything around him, provides a great silhouette.

The hazy background works well too as the pixelation created by the 60’s style wall tiles lets you see the immediate and distant London scene, and thereby creates a picture within a picture.

'A walking silhouette' along the walkway between the Jubilee and Distric lines at West Ham station

Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/125; Focal Length – 37mm; Film Speed – ISO100; Google Photo Filter – Metro

#41: Wimbledon – ‘Rads on a Rack’

12/02/2019 – High up in Wimbledon Village, along its High Street, is the cast iron radiator shop Castrads, and as I walk past I admire the window display and walk into the shop introducing myself to Sam Mayel-Afshar, one of the owners. I explain my journey and ask his permission to take some pictures; he’s more than obliging. The window features rows and rows of miniature radiators in a very impressive display and this is today’s Picture of the Day.

Standing inside the shop and looking out of the window, I capture the silhouetted effect of the mini-radiators set against a backdrop of the street parking, over which I have no control. However, I position the shot in such a way by casting the blue van almost centrally and balance it with the decorative lighting peeking through the display.

This took some time to get the right composition and then waiting for pedestrians walking by or looking into the shop from outside to pass by. A slight blue filtering effect helps to complete the shot

'Rads on a reck' inside Castrads in Wimbledon Village

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/160; Focal Length – 47mm; Film Speed – ISO100; Google Photo Filter – Bazaar

#42: Richmond – ‘A Lonely Daffodil’

19/02/2019 – I’ve taken this shot along the Thames at Buccleuch Passage, the footpath that leads you along the river from Richmond towards Richmond Park. The exact spot is overlooking the seated terraced area of Gaucho, a fine dining restaurant.

Seeing the daffodil all alone, my first thought is that it’s been discarded on the table, but if so, it’s probably not been discarded for long as it’s still looking healthy.

What catches my eye is the colour contrast as the outside seating area is bedecked with artistically styled white chairs against a backdrop of black decor. The yellow of the daffodil just ‘spoke’ to me. Now maybe it’s because I’m Welsh and we’re fast approaching St David’s Day, but I felt the colour contrast was striking and it represented a ‘moment in time’. I’ve cropped the picture closing in on the star of the picture – the daffodil

'A Lonely Daffodil' on a table outside Gaucho's restaurant by the Thames in Richmond

Settings: Camera – Canon EOS 200D; Aperture – ƒ7.1; Shutter Speed – 1/320; Focal Length – 55mm; Film Speed – ISO100; Google Photo Filter – Auto

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Memories

Memories No 05 – from Emirates Greenwich Peninsula to High Street Kennsington

My fifth blog outlining the stories behind my ‘Pictures of the Day’. For this week’s review, I travel to the ends of the Bakerloo, District, DLR, Emirates Air Line, Northern, Tfl Rail and London Tram from mid November 2018 and creeping into the New Year.

The winter months unsurprisingly brings all weather conditions and my resolve was tested a few times in the dank mists of Elmer’s End and rainswept Harrow. But this is all part of the entertainment my self-imposed sojourn has brought. In all honesty, it’s all been good fun, and this week’s portfolio seems to concentrate predominantly on design and architecture. Not intended, just the serendipitous way it’s panned out.

Please tell me which is your favourite picture, and why through any of my social media platforms. So here goes for week 5. Please let me know what you think?

#29: Emirates Greenwich Peninsula – ‘Hidden Gondolas’

12/11/2018 – If you have visited the Greenwich Peninsula, you’ll be familiar with an unusual steel sculpture created by Antony Gormley celebrating the millennium entitled Quantum Cloud. If you haven’t, then this alone is worth a look even only for it’s provocativeness in asking ‘what’s it all about?’ Nevertheless, an interesting curiosity near the Greenwich Pier offering a bespoke backdrop to the gondolas crossing the river.

A bright clear sky helps to create an almost silhouette effect; and I’ve tried framing the sculpture with several gondolas from the overhead cable car which pass by at regular intervals. This shot captures two just passing each other in the top right hand corner, and are complemented by another two almost hidden in the shot.

The puff of cloud in the bottom left corner also helps to balance the picture against the gondolas in the opposite corner and helps with the silhouette effect too.

Settings: Camera – Canon EOS 200D; Aperture – ƒ7.1; Shutter Speed – 1/640; Focal Length – 155mm; Film Speed – ISO100; Google Photo Filter – None

#30: Harrow & Wealdstone – ‘Purple Rain’

19/11/2018 – Having walked around Harrow during the daytime, I decided to wait for nightfall which in the middle of November is about 4.00pm so not too long to wait. And I’m drawn to the Christmas lights in St Anne’s Road which is now a pedestrian precinct.

It’s been raining and the prospect of capturing a reflective shot of the brightly coloured street lanterns was quite appealing. This one is taken towards the end of the shopping day with shoppers still milling around and the overall effect is enhanced with a Bazaar filter to heighten the lanter’s colours as they reflect on the pavement.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/60; Focal Length – 55mm; Film Speed – ISO6400; Google Photo Filter – None

#31: Elmers End – ‘I Hate Ironing…!’

26/11/2018 – It was a cold, dank and miserable winter’s day in Elmers End, and to be honest there was nothing inspirational about the area…

BUT, this made me smile.. a laundry service with a catchy web address emblazoned across a delivery van ihateironing.com – the name says it all really and a brief chat with the van driver reveals he gets quite a few smiles from drivers when he’s stuck in queues.

No particular photographic technique used here, it’s a simple point and shoot, but the picture does help to remind me of the day out at the terminus of one of London Tram’s lines.

Settings: Camera – Canon EOS 200D; Aperture – ƒ6.3; Shutter Speed – 1/200; Focal Length – 41mm; Film Speed – ISO61600; Google Photo Filter – Auto

#32: Morden – ‘A Study in Circles’

04/12/2018 – The station is typically 20’s/30’s in design and as I’m leaving the station, I stop to admire the Underground Roundel above a cavernous entrance hall which is sympathetically offset by an elaborate circular light fitting.

I’ve slightly cropped the picture to balance the roundel with the light fitting, and transformed it into black and white applying a ‘vista’ filter within Google Photos.  I think the individual lights on the hanging light display complements the light through the high window as your eye is drawn up to the reversed ‘DnuorgrednU’ sign.

Settings: Camera – Canon EOS 200D; Aperture – ƒ6.3; Shutter Speed – 1/250; Focal Length – 35mm; Film Speed – ISO100; Google Photo Filter – Vista

#33: Heathrow T4 – ‘Spotted Ceiling’

19/12/2018 – For me, the simplicity and symmetry of the roof space in Terminal 4 has an attractive quality that helps define the space. Passengers seem oblivious to the effort made to create this effect as their focus is on ensuring they are in the right zone. The roof is offset by an expanse of glass bringing the outside light in and draws the eye away from this spectacle above.

I hope you enjoy it?

Settings: Camera – Canon EOS 200D; Aperture – ƒ3.5; Shutter Speed – 1/60; Focal Length – 20mm; Film Speed – ISO800; Google Photo Filter – Bazaar

#34: Stratford – ‘Tunnel Vision’

28/12/2018 – Just south of the Bobby Moore Academy, the road meanders under The Greenway, one of the original East London sewers still used, and from the 1990’s covered over to create a footpath to encourage walkers and wildlife. I’ve taken this picture through the wide footpath that’s adjacent to the road that goes under The Greenway

It’s a moody shot and despite the footpath’s location, it’s surprisingly clean, albeit having a dank and dismal feel. But I suspect it’s relatively well maintained as it acts as a cut through from Pudding Mill DLR station and the London Stadium, the home of West Ham United Football Club.

I’ve tried to portray the old arch brickwork, dimly lit by the neon lighting and in the foreground, a shard of light streaming through a gap between the arches and a new concrete bridge. An atmospheric shot I think and somewhat symbolic of the area represented in its immediate surroundings.

Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/100; Focal Length – 29mm; Film Speed – ISO500; Google Photo Filter – Vista

#35: High Street Kensington – ‘User’

03/01/2019 – I’m inside the Design Museum looking up at this rolling display and it reminds me of my time with the Government Digital Service (GDS) where the ‘user’s needs’ became the successful mantra on how to design public services. And because of that I am instantly drawn to the display and its flamboyant use of colour.

Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/100; Focal Length – 27mm; Film Speed – ISO2000; Google Photo Filter – Vista

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Memories

Memories No 04 – from Beckenham Junction to Amersham

My fourth blog outlining the stories behind my ‘Pictures of the Day’. For this week’s review, I travel to the ends of the District, Metropolitan, Overground, Piccadilly and the Tram lines in September through to Armistice Day in November 2018.

I meet more people during the autumnal months and in this portfolio. You’ll meet a street trader, an arboreal artist and thrill seekers. I also stretch the boundaries of my camera’s capability too.

Please tell me which is your favourite picture, and why through any of my social media platforms.

So here goes for week 4. Please let me know what you think.

#22: Beckenham Junction– ‘Phalacrocoracidae’

12/09/2018 – The lake in Kelsey Park boasts having at least two cormorants, one proudly displaying its wings high up in its tree perch, and another doing likewise perched on a post mid lake; a good opportunity to test my camera handling skills at full zoom. I rest against railings on a wall to steady myself whilst standing under a large tree sheltering from the downpour of rain.

I’ve enlarged and cropped the original photo to showcase the cormorant’s extended wingspan. There’s a little degradation in the quality and sharpness, but given I was a good couple of hundred metres away, I’m very pleased with the outcome. And a good test of the zoom lens’ quality at full stretch too

Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/200; Focal Length – 300mm; Film Speed – ISO800; Google Photo Filter – Auto

#23: Kensington (Olympia) – ‘Changing Colours’

17/09/2018 – A slight twist on today’s picture as it is in fact a collage of four taken within the Plasa 2018 exhibition. The reason being is that I want to showcase the challenge I experienced in trying to capture fast moving lighting effects such as those created digitally.

I realised quickly that the time delay between my seeing an image and pressing the shutter to capture that image was out of sync. So whilst I was somewhat disappointed in the outcome of many of today’s shots, the experience taught me to think differently on how to represent an image.

Nevertheless, this collage is a helpful reminder of that and offers an alternative on how to represent my ‘Picture of the Day’. The camera settings below represent the range used on the four pictures I’ve brought together, and they demonstrate how the camera captures images even in an erratically lit environment.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5 to 6.3; Shutter Speed – 1/125 to 1/200; Focal Length – 34mm to 55mm; Film Speed – ISO200 to ISO640; Google Photo Collage with Auto Filter

#24: Barking – ‘Lola’

09/10/2018 – This is Lola, a street market trader selling African inspired headwear. Lola has a captivating smile and a broad grin and is so easy to talk with. She’s happy for me to take pictures of her small stall and of her, and she quite likes the attention too which made capturing her personality quite easy.

I remind myself of some advice I was given as a child: when taking pictures of people and in particular their faces, to focus on the eyes. And you can see why here, as Lola smiles through her eyes and the rest of her face lights up.

This is a simple headshot; one of a series I took as I chatted with Lola and walked around her. Passers by looked curiously on, but neither Lola nor I gave them a passing thought.

Thank you Lola for brightening up my visit to Barking.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/200; Focal Length – 50mm; Film Speed – ISO1600; Google Photo Filter – Auto

#25: Cheshunt – ‘Come in No 15!’

18/10/2018 – This is one of many shots I took at the White Water Centre which gave me the opportunity to test out action sequences. There were several rafts of eight person pleasure seekers or team bonding exercise groups on the course being led by two professional guides. So as each raft navigated the course several times, there was ample opportunity to explore the course and sit and wait for the right moment.

This, I believe, is one of those moments where I’ve captured the effort and intensity of the raft’s occupants trying to control their craft. The position of the raft in the water gives an impression  of its vulnerability as its bow peers out of the water, and in doing so it seems the rest of the raft is submerged: but It isn’t. This appearance is only created by the fact the raft is just recovering from a dip in the water as the raft plummeted down a slope.

The relatively fast shutter speed also captures the water mid splash and the water droplet effect adds to the drama. I remember in my early youth taking sporting pictures and recall that picking the right spot and being patient are two key attributes to getting a good shot. And as I applied these today, I’m rewarded with this outcome.

Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/640; Focal Length – 190mm; Film Speed – ISO200; Google Photo Filter – Auto

#26: Ealing Broadway – ‘Ed’

23/10/2018 – This is Ed, who I met sketching trees at the bottom of Walpole Park. My narrative above explains a bit about Ed who was kind enough to let me use him as the subject of an ‘ad hoc’ photo shoot. He was completely engrossed in his sketching and this was great to get the concentration on his face.

At one moment, the sun peered through the tree canopy and this shot captures that through his hair creating almost a halo effect. I have no knowledge of Ed’s saintly connections but he was angelic enough through the photo shoot.

I had the camera set up in Black and White mode and I think this helps to add depth to the picture and strengthen the final shot. I’m pleased with it, and ‘thank you’ Ed

Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/125; Focal Length – 33mm; Film Speed – ISO100; Google Photo Filter – None

#27: Cockfosters – ‘Traffic’

02/11/2018 – As you can see, this is taken outside Cockfosters Station. It’s a shot I had to wait quite a while to capture to get the right effect of movement. I played with several combinations of shutter speed and aperture to get the right balance of movement, focus, light and composition.

This one is taken with a slowish shutter speed set at 1/8th second grabbing the colour blur from the passing bus with its outline clearly recognisable. Combined with the oncoming car, I’m really pleased with the resulting effect of movement with a still background. It’s also pleasing that the combined speed of the bus and shutter speed still allows the advertising hoarding on the right hand side to show through the bus windows.

Settings: Camera – Canon EOS 200D; Aperture – ƒ22; Shutter Speed – 1/8; Focal Length – 18mm; Film Speed – ISO100; Google Photo Filter – Auto

#28: Amersham – ‘Remembering’

09/11/2018 – A few days before Armistice Day 2018, Amersham Old Town has excelled itself with an impressive WW1 Commemoration display as part of this year’s Britain in Bloom entry. This picture is taken within the Memorial Gardens and is one of many I could have picked for today’s PIcture of the Day.

This one, I believe, epitomises the scale, grandeur and colour of the town’s display with the large scale bi-plane models elevated in formation showing off a combination of design and gardening skills. Despite it being a drizzly day, which dampens the garden’s colour palette, there’s a hint of sunlight peeking through the low cloud base helping to lift the greenery.

Despite the weather conditions, there are several interested people walking through and enjoying the display. However, I’ve waited for them to pass as I didn’t want them to be a distraction from the bi-planes which I feel are the centrepiece of the picture.

Settings: Camera – Canon EOS 200D; Aperture – ƒ10; Shutter Speed – 1/640; Focal Length – 55mm; Film Speed – ISO6400; Google Photo Filter – None

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Memories

Memories No 03 – from Walthamstow Central to West Croydon

My third blog outlining the stories behind my ‘Pictures of the Day’. For this week’s review, I travel to the ends of the DLR, Overground, Tfl Rail, Tram and the Victoria lines through July and into early September 2018.

An exciting couple of months through the heat of the summer months in 2018, and one when I was introduced to the magic of expressive art, colour and wonderful people. People ranging from a bespoke tailor, wall artists and security professionals.

Please tell me which is your favourite picture, and why through any of my social media platforms.

So here goes for week 3. Please let me know what you think.

#15: Walthamstow Central – ‘The Birds’

05/07-2018 – This is taken inside the beer garden to Mirth, along Hoe Street. The doors are open so I take a peek inside and given the time of day (early morning), there’s no trading taking place so I can walk through uninterrupted.

This painting/wall art/mural is deep inside the alleyway, but it’s vibrancy and bird motifs gives it a somewhat garish look. The birds maybe crows or ravens, certainly some type of carrion chasing the skirted woman is very reminiscent of a scene from Hitchock’s The Birds.

I’ve converted the picture into black and white but I can’t decide which image is best, so I’ve decided to include them both. Maybe you can decide…message me and let me know

Settings: Camera – Canon EOS 200D; Aperture – ƒ5; Shutter Speed – 1/125; Focal Length – 39mm; Film Speed – ISO400; Google Photo Filter – None (Colour), and Vista (B&W)

#16: Stratford International – ‘Bruno’

12/07/2018 – Meet Bruno, a two year old guard dog; part of Westfield’s security patrol. His handler explained he’s a cross between a Malinois and a dutch hunter. The Malinois is a medium-to-large breed of dog, sometimes classified as a variety of the Belgian Shepherd dog rather than as a separate breed. The name “Malinois” is derived from Malines, the French name for the breed’s Flemish city of origin, Mechelen. (This is an update from my original blog as I had misheard the breed name as ‘malinmor’ and couldn’t find any reference).

Both handler and dog were very friendly but I have no doubt Bruno would quickly jump into action on his handler’s instruction. I decided not to test this out.

I couldn’t quite get him to look straight into the lens as he averted his eyes; trained I guess to keep watching out, but this shot gives a very good impression of his poise, discipline and strength.

Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/125; Focal Length – 33mm; Film Speed – ISO1o0; Google Photo Filter – Alpaca

#17: Wimbledon – ‘Release’

19/07/2018 – On the side of Wimbledon library in Compton Road, there’s a very interesting sculpture by Mohammed Sheibani entitled ‘Release’. It’s a composition of three murals depicting books on bookshelves made out of bricks or terracotta tiles.

It’s an imaginative representation stylised to blend into the red brick wall. A simple piece, but one that speaks volumes. It’s a shame it’s on the side of the building as many passers by will miss it, and even though it’s just around the corner from the main entrance, if you have no reason to go into the side road, then you’ll miss it.

The only enhancement to the picture is that I’ve applied a green filter (Alpaca) to help with contrasting the ‘books’ within the shelving.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5; Shutter Speed – 1/125; Focal Length – 25mm; Film Speed – ISO100; Google Photo Filter – Alpaca

#18: Paddington – ‘Hidden Rainbow’

02/08/2018 – This is taken under the Bishop’s Bridge Road flyover as it crosses the Paddington Basin just north of the station. An otherwise dark and gloomy underpass en route to several restaurants and where you’ll also find one of the Paddington Bear statues dotted around the area.

This colourful metal display has been erected to brighten up the area, and it does do that. A little difficult to capture as there was a stream of passers by making their way to/from the restaurants, or generally milling around. The first few shots using a flash failed to capture the true colour but I persevered and only slightly enhanced it with a green filter in post production to heighten the colour range.

Settings: Camera – Canon EOS 200D; Aperture – ƒ6.3; Shutter Speed – 1/200; Focal Length – 53mm; Film Speed – ISO500; Google Photo Filter – Alpaca

#19: New Cross – ‘Life Saver’

14/08/2018 – Just outside the station, I’m reminded of my childhood days when I see what I consider to be an iconic vision of an NHS pharmacy. Maybe it’s a reminder of a pharmacy I used to see in my parental hometown, I can’t remember, but nevertheless the image is worthy of capturing as it happens to be the NHS’ 70th anniversary year.

I waited for someone to walk past, to contextualise the scene, and in some way to create a reference point showing that the pharmacy is used by those walking past. 

And as I update this blog in April 2020, it’s a poignant reminder of life’s frailty as we isolate ourselves during the current world Coronavirus pandemic 

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/250; Focal Length – 36mm; Film Speed – ISO100; Google Photo Filter – Reel

#20: Highbury & Islington– ‘Inside 1 Coopers Yard’

29/08/2018 – This shot is from within the Charlie Allen’s display window looking outwards with the tailored garments in relief. I wanted to highlight this bespoke tailor’s location and how its fashionable interior contrasts with its hidden surrounds: that of a back street opening onto Upper Street, one of London’s main arterial highways.

I had thought of cropping out the car, but that would have given a narrow view and the picture would have lost its sense of belonging. After all, the location is how I stumble across this gem, and that’s part of the memory. I’ve applied a slight blue filter to help enhance the cobble path.

Alternate picture names have been suggested by Twitter followers as follows: ‘Highbury One’ and ‘Man-nequine explores Islington’

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/200; Focal Length – 18mm; Film Speed – ISO100; Google Photo Filter – Reel

#21: West Croydon – “I have myself…”

07/09/2018 – This is one of the many wonderful public art on display throughout Croydon as part of the 2018 Rise Festival. A wonderful innovation bringing art to the masses on a grand scale, which really made my day. Not only for the diversity of art on display, but also for the opportunity to meet and talk to several artists who were preparing their own murals.

As soon as I saw this piece, I was in awe of its scale, message and simplicity which is the trademark of its creator – David Hollier; a Wolverhampton born fine artist who now works out of New York.

I stood for quite a while reading the passage, which comes from Sir Winston Churchill’s famous ‘We’ll fight them on the beaches’ speech given to the House of Commons on the 18th June 1940. Quite moving, despite standing on the corner of street in Croydon in 2018. The words make up the final two paragraphs of the peroration.

The only adjustment I’ve made to the shot is to apply a Vogue black and white filter to help contextualise the piece back into the 1940’s era.

Settings: Camera – Canon EOS 200D; Aperture – ƒ10; Shutter Speed – 1/500; Focal Length – 30mm; Film Speed – ISO100; Google Photo Filter – Vogue

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Memories

Memories No 02 – from Heathrow T5 to Hammersmith

This is my second blog outlining the stories behind my ‘Pictures of the Day’. For this week’s review, I travel to the ends of the Circle, Overground, Piccadilly and the Waterloo & City lines during late May and through June in 2018.

It was an interesting month in terms of locations and experiences as I started getting to grips with my camera settings and with those with whom I met.

You can still play your part in helping me decide on the best picture, as I’d like to canvass your thoughts on which is your favourite picture. You can reply through my blog, directly by email or via my social media platforms. And if you’d like to explain why, that will be helpful too.

So here goes for week 2. I hope you enjoy this?

#08: Heathrow T5: ‘World Rainbow’

23/05/2018 – This is taken outside the main terminus where there’s an open air seating area. It’is a bright sunny lunchtime so employees and travellers alike are grabbing a quick snack or just waiting for their connection.

There’s a large display at either end of the seating area showing a selection of the the IATA (International Air Transport Association) three letter destination codes displayed in a semicircle. This picture tries to capture the essence of the airport at ‘a moment in time’ as the reflection shows those at rest, but the traveller in the centre foreground reminds us that he’s going somewhere (or just arrived). And the smoker on the right reminds us that this is now an outside habit…

I’ve tried to keep the shot simple, framing the main traveller within the destination arc. Who knows where he’s bound? The Alpaca filter strengthens the sunlit shrubbery and helps to draw the eye towards the central figure.

My thanks to a Facebook reader who suggested this title.

Settings: Camera – Canon EOS 200D; Aperture – ƒ6.3; Shutter Speed – 1/320; Focal Length – 55mm; Film Speed – ISO100; Google Photo Filter – Alpaca

#09: Euston – ‘In Loving Memory’

24/05/2018 – This stained glass window is taken inside St Pancras Church and commemorates the life, loves and deaths of the 19th Century architect William Milford Teulon’s family.

This was a poignant moment during my day around Euston station and a moment of admiration too, of the open and free nature of the church: it’s doors open to all comers at all times. I was alone at the time of my visit and able to enjoy the church’s array of stained glass windows. Why this one? 

With the sun shining through, the colour’s magnificence transforms an otherwise dull spot in the church into one of thoughtfulness, hope and salvation to those looking for it. It was a moment not to pass and on reflection, it has provided an opportunity to learn a little about the architect himself.

Settings: Camera – Canon EOS 200D; Aperture – ƒ3.5; Shutter Speed – 1/60; Focal Length – 20mm; Film Speed – ISO160; Google Photo Filter – Palma

#10: Richmond – ‘Brewers Lane’

06/06/2018 – This is a delightful narrow street of bijou style shops: Brewers Lane. A busy lane for the casual browser and attractive for the tourists no doubt intrigued by the array of advertising signs and banners all fighting for their own space and attention.

The decorative lights, strung across the lane will no doubt increase the attractiveness of the lane, but in broad daylight, it casts a net, as a canopy, over the area.

I’d originally planned to crop out the shoppers and browsers to focus on the shop signs, but on reflection decided to keep them in as they give more meaning and sense of purpose to the picture’s composition.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/200; Focal Length – 55mm; Film Speed – ISO250; Google Photo Filter – Palma

#11: Bank – ‘£sd’

07/06/2018 – This is an historical shot for those old enough to remember the pre-decimal paper money. The red-brown ten bob note; the green pound; the rarely seen five pound note and the never seen brown ten pound note. The picture is taken inside the Bank of England’s museum which is  accessed through their airport style entrance in Threadneedle Street.

I think this is an appropriate picture to remember my visit to Bank station

Settings: Camera – Canon EOS 200D; Aperture – ƒ5; Shutter Speed – 1/160; Focal Length – 43mm; Film Speed – ISO2500; Google Photo Filter – Metro

#12: Clapham Junction – ‘Platform 18’

20/06/2018 – And as with all good stations, there’s a neighbouring watering hole; here it’s classically called The Junction pub which tries to market itself as the 18th platform encouraging travellers into its ‘beer garden’.

The iconic wall art of David Bowie captures my interest immediately as I’m a lifelong fan of his music ever since I was introduced to Ziggy Stardust and his Spiders from Mars. So I have a personal connection with this image, which helps to connect my visit and enjoy the amusing way the pub is exploiting it’s position with the railway station. As you see, the wall on which the image is portrayed is in fact the back of the station.

I’ve cropped the bottom of the image to remove the somewhat untidy nature of the alley and beer garden entrance, and I think the final picture helps to focus on the wall art, the station’s name and its proximity to the station.

Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/200; Focal Length – 39mm; Film Speed – ISO100; Google Photo Filter – Auto

#13: Enfield Town – ‘Enfield Vicarage’

27/06/2018 – 36 Silver Street is Enfield Vicarage, a Grade II listed building with some parts dating back to the 16th Century. Situated next to St Andrew’s Church, this two storey white rendered building is nicely lit in the sunshine.

I’m standing on the opposite side of the road trying to capture this scene through passing traffic as just down the road are traffic lights which control the flow along the street. I’m also trying to judge the passing pedestrians to create a sense of movement against the stark white walls. This lady with her shopping trolley, presumably on her way into town, obliged. I think this shot nicely sets the scene, helped by the fact the pedestrian is wearing a light top in contrast with the brick wall but also complementing the whitewashed walls.

Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/160; Focal Length – 20mm; Film Speed – ISO250; Google Photo Filter – Auto

#14: Hammersmith – ‘Baguettes

28/06/2018 – Hammersmith open air food market sits nicely along Lyric Square positioned between King Street and Beadon Road, and Olivier’s Bakery is the first stall I approach as I enter the food market. It’s fast approaching lunchtime so the square is very busy with office workers out to sample the variety of culinary delights on offer.

This is my first attempt at ‘food’ photography, but thankfully I was given a free hand to explore the stall without getting in their way as they served their customers.

This is a simple, close up shot of the day’s freshly baked baguettes displayed rather neatly, although more out of necessity so that the stack remains intact. Nevertheless, their colour and geometric shape makes for a rewarding reminder of the day. I’ve enhanced the picture with a yellow filter to promote the baguette’s natural colouring. My free baguette was nice…

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/200; Focal Length – 55mm; Film Speed – ISO160; Google Photo Filter – Palma