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Memories No 09: from Battersea Park to Uxbridge

My ninth blog outlining the stories behind my ‘Pictures of the Day’. For this week’s review, I travel to the ends of the Central, Hammersmith & City, Overground and Piccadilly lines through the summer months of July and August 2019.

I think this must have been the wettest couple of travelling months so far, despite it being the height of Summer. No discernable theme with this week’s portfolio, just a random collection whose only connection is that they are a sequence of 7 Pictures of the Day. Anyway, all for your enjoyment, I hope?

But for now, see what you think and please tell me which is your favourite picture, and why. You can contact me through any of my social media channels. So here goes for week 9. Please let me know what you think?

#57: Battersea Park – ‘Tea Break’

'Tea Break' - An orange figure reclining with a cup of tea outside Battersea Power Station

02/07/2019 – This art installation is by Jesse Wine and entitled ‘Local Vocals’. It’s outside the marketing suite and within an open piazza overlooking the river and adjacent to a viewing platform. You can’t miss the bright orange reclining figure representing workers who have stopped for a rest and a cup of tea.

Getting this shot took some patience as I waited for onlookers who would otherwise have been in frame, to leave the area. Anyway, after a little time they moved on freeing me up to ‘own’ the space for a short time.

The striking colour is what first drew me in and the figure’s reclining effect is mirrored in a number of ways: by the red/white deck chairs which are there for those watching the Wimbledon Tennis on  large screens behind the figure; and by the reclining chairs in the foreground which I’ve framed to emulate the shape of the reclining figure. The figure’s black cap and a cup of tea contrasts nicely with the orange, and the addition of a ‘bazaar’ Google Photos filter helps to heighten the contrast of the orange with the bluer hue of the surrounding buildings.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/250; Focal Length – 27mm; Film Speed – ISO100; Google Photo Filter – Bazaar

#58: An Art Special – ‘Looking On’

'Looking On' - A visitor to The Other Art Fair Looking on at the list of entries to the Graduate Art Prize

07/07/2019 – I caught this gent studying the narrative about the Graduate Art Prize and he was oblivious to his surroundings so I quickly caught the moment. I’ve cropped the original shot to remove any unnecessary distraction and applied a Google Photos Vista Black & White filter to add a measure of graininess to emphasise the monotone outcome.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5; Shutter Speed – 1/125; Focal Length – 25mm; Film Speed – ISO100; Google Photo Filter – Vista (B&W)

#59: Liverpool Street – ‘Taxi!’

'Taxi' - a London Black Cab in disrepair with its windscreen smashed in

12/07/2019 – This abandoned black cab, with its windscreen smashed in, seems to have reached its own end of the line. It’s one in a long line of others abandoned under the railway arches in Collingwood Street: an area awash with London Taxi repair garages.

I’ve taken this with a 160mm focal length to get a tight shot with the row of taxis behind in frame. This helps to limit the background and capture enough contrasting light to balance the end result.

Applying a black & white filter is perfect in emphasising the cab’s blackness and highlights the contrasting light through the arches and overhead .

Settings: Camera – Canon EOS 200D; Aperture – ƒ5; Shutter Speed – 1/500; Focal Length – 160mm (75-300mm zoom); Film Speed – ISO1600; Google Photo Filter – Vista (Black & White)

#60: Epping – ‘Bridge O93A’

'Bridge O93A' - a view inside the canopied footbrige just outside Epping station

18/07/2019 – This is the covered footbridge over the railway line by Epping station joining Station Approach with Hillcrest Way and onwards onto Bower Hill. No doubt a much used footbridge when the side entrance from the station into Hillcrest Way is closed, but equally an unloved one judging by its state. A narrow bridge with just enough room for two people to pass side by side, and covered with a metal cage to allow some light in and to prevent anything and anyone (yes) being thrown onto the railway track below, as now prescribed by current highway standards.

The wide angle shot is taken to draw the eye down the tunnel and accentuate the grill effect of its covered meshwork. In doing so, highlighting its necessary yet unwelcoming feel and one you probably would think twice about walking through on a dark evening. The picture has been manipulated using a Google Photo ‘Reel’ filter to enhance the colour contrast.

Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/160; Focal Length – 18mm (75-300mm zoom); Film Speed – ISO250; Google Photo Filter – Reel

#61: Upminster – ‘Donald Trump’

'Donald Trump' - a name I've given to a proud and strutting crested saxony duck  in Clockhouse Gardens

24/07/2019 – Meet Donald Trump…well it’s a name I’ve seen given to this type of crested duck on the internet, and I can sort of understand why with its glorious bouffoned crest beautifully coiffed in an elegant ‘comb over’ effect. This duck clearly stood out from the crowd as it was the only one of this type I could see, as it waddled majestically amongst all the other ducks in Clockhouse Gardens.

The picture was a little tricky to capture as I’m using the barrel of my 75-300 mm lens as the only stabiliser, so the risk of camera shake is high. The lighting is also tricky as the duck is in a shaded area which is heavily backlit by the sun creating a contrasting light & shade effect. The shot is taken almost at ground level resting the camera on the low level fencing surrounding a pond.

I’ve tried to find out the breed, and the closest I’ve got to determining this is that it’s a Crested Saxony as identified by the Domestic Waterfowl Club of Great Britain. Although the crested gene can be grown into most duck breeds, it does nevertheless have a breeding consequence as not all eggs will result in a successful hatchling.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/1000; Focal Length – 255mm (75-300mm zoom); Film Speed – ISO5000; Google Photo Filter – Palma

#62: Barking – ‘Gone Fishing’

'Gone Fishing' - a silhouette of a boy riding a bicycle holding a stick near the pedlos in Barking Park

30/07/2019 – I’m trying out several long distance focal length shots: to highlight the yellow boat against the blue pedalos, and to show how they’re framed by the two tone greens of the overhanging trees in the foreground and the trees in the background. But I felt there was something missing in the final composition so I took some with geese in the foreground, but that didn’t quite work either.

Then, whilst I was kneeling and getting wet, there was a teenage lad cycling in the foreground. I waited for him to get out of the shot, but he suddenly appeared with a stick in his hand as if he was fishing. And as he appeared I snatched a few shots in case he didn’t return. I knew it was just right as he brought a human element to the shot, and thereby helping to balance the otherwise stillness of the picture.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/800; Focal Length – 230mm (75-300mm zoom); Film Speed – ISO640; Google Photo Filter – Alpaca

#63: Uxbridge – ‘Hello! Can you hear me?’

'Hello! Can you hear me?' - a grainy black and white picture of a young lad with his mobile to his ear as he walks up a covered footpath

07/08/2019 – I spent most of the day with my camera set in Black & White mode, and this picture comes from that collection. The graininess I’ve applied to this picture adds a particular edge to it which I think works well. I’m standing on the footbridge over the Oxford Road leading to the car park entrance to The Pavilions shopping centre.

The concrete and graffiti stand out and whilst I’m trying to get the right lighting effect, there’s an elderly gent walking down the ramp trying to avoid being in the picture. I respect his desire for anonymity and leave him to walk out of sight, but think that the photo would be better with someone in it. 

I move onto the lower part of the ramp looking up. With the sun casting strong shadows, I line up the metal handrail on the right hand side so that my eye is drawn to the graffiti on the end wall. And as I’m crouched low, trying to emphasise the rising ramp, I wait for someone to walk into the shot. This gentleman obliges, unaware of my presence, apparently distracted by his mobile conversation – thank you.

Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/400; Focal Length – 51mm; Film Speed – ISO100; Google Photo Filter – Eiffel

3 replies on “Memories No 09: from Battersea Park to Uxbridge”

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