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Memories No 12 – from Battersea Power Station to Barking Riverside

Memories from early Spring 2020 when I travelled from Battersea Power Station to Barking Riverside. My final collection of ‘Pictures of the Day’ for your enjoyment with a brief explaination as to why I’ve chosen these. I hope you enjoy them? Follow me at theendoftheline.blog

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My twelfth and final blog outlining the stories behind my ‘Pictures of the Day’. For this week’s review, I travel to the ends of the Northern, Overground and Tfl Rail lines in February and March 2020 just before the Coronavirus lockdown is announced

This final portfolio celebrates unfinished dreams. These Tfl stations are still under construction and not originally expected to open until 2021. Although who knows how the Coronavirus lockdown will impact their commissioning date.

But for now, see what you think and please tell me which is your favourite picture, and why. You can contact me through any of my social media channels. So here goes for the final blog in this series.

#78: Battersea Power Station – ‘Talking Heads’

two large sculpted ebony black heads facing each other with an array of lights pusating over their faces

11/02/2020 – Today’s picture is taken in the piazza on Riverside Walk just west of Battersea Power Station – this is called ‘Talking Heads’. This one is part of a study of each of the two heads which I took at intervals to create an animation showing the different facial expressions.

This selection, with both heads in shot, helps to set the scene. The heads are in metallic black, and the white LED’s help to complement the effect. So I’ve added a black and white filter to this shot to show it off at its best

Settings: Camera – Canon EOS 200D; Aperture – ƒ6.3; Shutter Speed – 1/400; Focal Length – 125mm; Film Speed – ISO400; Google Photo Filter – Vogue

#79: Abbey Wood – ‘The Enigmatic Woman’

an artwork head portrait of an attractive girl with long wavy hair

18/02/2020 – This is one of two striking graffiti/murals on the wall opposite the station lift entrance in Gayton Road. The original is in colour, but to be honest, the colour palette is marginal as the majority of the artwork is in black and white. So I’ve applied a Vogue black and white filter to emphasise the quality of this bold piece. The detail is fine and the eyes follow you, which provides a somewhat evocative feature.

And interestingly, if you look closely, the work has other graffiti etched across the cheeks too.

The artist ‘astek-London’ has signed his presence and he’s clearly keen to promote his work, so go and have a look at his Instagram page for other examples of his skills and talent.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5; Shutter Speed – 1/200; Focal Length – 54mm; Film Speed – ISO125; Google Photo Filter – Vogue

#80: NOW Gallery, North Greenwich – ‘Colour by Numbers’

a view into a mass of numbers hanging from the ceiling. the numbers are delicately arranged so that they are allingned and coloured

05/03/2020 – Ah! A difficult choice as most of the pictures I took are of numbers, from the Slices of Time exhibition by Emmanuelle Moureaux. I think this one reflects the mood of the piece best for me as it portrays the colour palette, symmetry and precise intricacy in one shot.

Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/125; Focal Length – 33mm; Film Speed – ISO2500; Google Photo Filter – Blush

#81: Barking Riverside – ‘Bricks & Mortar’

the facade of a new housing block

10/03/2020 – For this my final Picture of the Day from this first series of travels, choosing a picture to remember the day had been a struggle. Mainly because the sky was dull and grey which tended to flatten the pictures I’m taking, and because the landscape I’ve walked through has been predominantly industrial. 

But nevertheless, today’s picture merges the old and new industries. The setting is that of the fast developing Barking Riverside housing development:  once a marshland and a brownfield site occupied by the Barking Power Station.

This is a view of the ‘almost complete’ Parklands development at the eastern end of Fielders Crescent (a new road) which I’m looking at in a westerly direction. The symmetry of the design and the harshness of the brickwork, which has now almost become the standard brick used across London for such developments (well that’s my opinion), lends itself to being taken in Black and White.

Settings: Camera – Canon EOS 200D; Aperture – ƒ6.3; Shutter Speed – 1/640; Focal Length – 170mm; Film Speed – ISO1000; Google Photo Filter – Vista

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