My penultimate end of the line: what am I to do afterwards? Suggestions on a postcard please.
Today’s wintry cold yet bright day sees me heading to the northern end of the Emirates Air Line at London’s Royal Docks alighting from the Docklands Light Railway (DLR) at Royal Victoria.
The route I take is a fairly simple one: twice around the westerly part of the docks from The Emirates Royal Docks station in an anti-clockwise direction over the Royal Victoria Bridge and back. Once in the daylight and once at night time.
I also ‘fly’ in the Emirates Air Line to North Woolwich and back to enjoy the experience and daytime and nighttime views which shows the Dockland’s continuing development.
Commissioned, built and opened just before the London Olympics in 2012, the ‘air line’ has a capacity of 2,500 passengers per hour travelling at five miles per hour and taking three minutes to complete the crossing.
On my outward flight, I’m joined in the gondola by VeJay, a resident from Australia who’s visiting friends in London for a couple of months. We both remark on the rocking motion of the gondola as it’s battered by the winds when at the highest point of the journey, but thankfully, the structure is designed to withstand such winds. I spot some of London’s distant landmarks and observe the waterline’s tidy array of yachts some 80 metres below.
This night time shot of the North Greenwich station is quite striking as the Moon and the planet Venus shine brightly against the cloudfree sky.
Nearby to the station is The Crystal, a conference centre designed and built with sustainability at its core generating its own electricity needs through 1,580 m² of solar panels. Despite being closed for refurbishment, the conference centre boasts a daily average visitor attendance of 1,000, but today, it’s the exterior that grabs my attention as its glass fronted surface offers an opportunity to capture some reflective moments.
Nearby water puddles, which shimmer slightly in the breeze, also provide a similar opportunity by creating a fuzzy view of the neighbouring residential block.
And into the night, the low lit footpath along the southern end of the dock casts a colourful display on the water’s surface transforming an otherwise drab vista into an almost Meditaranean one – oh if it were only 20 degrees warmer…
Constructed in the mid 19th Century, the docks were an instant commercial success as they could easily accommodate all but the largest steamships; and despite being badly damaged in the Second World War, the docks remained a viable hub until the 1960’s. With the onset of containerisation, shipping throughout the London docks migrated easterly towards Tilbury where the larger ships could more easily be managed, and consequently by the 1980’s, the Royal Docks closed to commercial shipping traffic.
The docks have been sympathetically restored with obvious reminders of their heydays on display as the docks are surrounded by a display of cranes and derricks, as if ‘on guard’ for what has now become a fashionable residential and leisure area.
On the northern bank and just outside the entrance to the ExCel Centre is a poignant statue created by Les Johnson entitled ‘Landed’. Commissioned by the Royal Docks Trust, it has been erected as a tribute to the history of the communities of the Royal Docks and the men and women who worked there between 1855 and 1983.
The docks are now a hub for a variety of conferencing, entertainment and leisure industries, although as it’s the middle of winter, all of the water borne leisure facilities are closed. There are few people milling around although there is a steady stream of visitors making their way into the Sunborn Yacht Hotel which is permanently moored by the ExCel Centre. This shot is taken through the legs of one of the cranes on the opposite side of the dock.
The docks is also the home of Lightship 93, a former Trinity House light vessel, now repurposed as a photographic studio and location. And looking east, about one kilometre away is London Docklands Airport with planes landing and taking off at regular intervals.
I end my day where I started, but spend a little time reflecting on the moody lighting which casts a soft shadowy glow on the footpath as a few revelers head for the DLR or to one of the nearby hotels. The overhead gondolas continue to pass robotically by, regardless of whether they carry any passengers, and I decide it’s time to get back into the warm…so it’s homeward bound for me too.
Picture of the Day
This shot is taken on the Royal Victoria Bridge looking straight into the low lying sun and I’ve positioned myself so that the vertical and horizontal struts of the bridge support are dissected by the sun. The shot is unfiltered as the stark sunlight adds to the shadowy black and white effect I’m trying to create, and highlights the white wispy clouds against an otherwise clear sky…
Settings: Camera – Canon EOS 200D; Aperture – ƒ13; Shutter Speed – 1/800; Focal Length – 18mm; Film Speed – ISO100