Categories
Themes

Themes #05 – The Natural World

Welcome to this my fifth and final blog in my Theme series where I set out the reasons behind my recent selection. Over the past week I’ve posted pictures through my social media channels, and now I can give you a little more detail behind each picture.

I’m using the current Covid-19 lockdown period as an opportunity to showcase more pictures that may previously not have had any prominence, either through my travel blogs or more recently through my Memory collection. 

This week’s theme is all about ‘The Natural World’, a look at the diversity of living things and the environment in and around London. I’ve categorised my pictures into groups: Creatures, Vegetation, The Thames, Waterways, Skyscapes, Night Time and Reflections. I think the category titles are self explanatory.

I’ve selected these pictures on the basis that a) they’re an obvious fit, b) I like it’s artistic and/or photographic quality, and c) it has a good story to tell. I hope you agree, but feel free to drop me a line if you’d like to have any other suggestions?

Creatures – Feline Hungry

a cat ready to pounce from under a car staring intensly at something nearby

Birds dominated this category, from ducks, swans and even parakeets that have now naturalised themselves in London. Oh yeah, and one spider, but thought better of using that one in case there are too many readers with arachnophobia.
Come to that, I now hope there’s not too many readers with ailurophobia too.

Brick Lane is normally a hive of activity, full of onlookers enjoying the plethora of curry houses, or browsing the markets for bargains or memorabilia. But today is not one of those days, despite it being lunch time.

But this one resident was certainly on its look out for lunch. So was its intense concentration on what it was looking at (I didn’t see as I was concentrating on the cat), s/he didn’t bat an eyelid as I neared and crouched down to capture this. The cat is half under a parked car, and I’m half taking up the pavement, so the chance of any disturbance was high. But regardless, we were both resolved to see out our quest.

I didn’t wait to find out whether the cat caught anything as I was happy that I’d captured this shot. Maybe I should have?

  • Location: Brick Lane, East London
  • Date/Time: Friday July 12th 2019 at 12.29 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/200; Focal Length – 5mm; Film Speed – ISO500

Vegetation – Tree Lined Shadows

a blck and white shadowy silhouette of rows of young trees

There’s a square of planted trees in Royal Victoria Square which have grown somewhat since originally planted. If you look at Google Maps Street View, there’s some evidence they are used as sheltered parking as some of the photos posted there have cars hidden between them.

There’s no such distraction today, in fact, it’s a bitterly cold winter’s morning with a crisp sharp sun which casts a harsh shadow through the trees. And it’s this effect that caught my eye. I waited for some onlookers to walk through so as to capture the scene uninterrupted and added a harsh black and white filter to accentuate the light and dark shading.

The solitary crow, slightly off centre/right, adds an extra little ‘still life’ quality to the final image

  • Location: Royal Victoria Square, Royal Docks, London
  • Date/Time: Tuesday January 28th 2020 at 10.45 am
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/200; Focal Length – 63mm; Film Speed – ISO200

The Thames – No Access to The Thames Barrier

a long distance view of the Thames Barrier through a spiky and wired barrier in the foreground

Peer through the metal railings, just on the water line, and you can just make out two of The Thames Barrier pontoons.

This is at the end of a walkway just west of the Woolwich Ferry North Terminal, and it’s where I encountered a couple of fishermen who were sitting besides a chained anchor sculpture. They were not in the mood to chat, so I walked on.

This is taken in black and white with some saturation to emphasise the contrast between the black railings, and rippling sun on the water. The railings clearly designed to discourage any attempt to climb over into the adjacent industrial park, but nevertheless it did make for an excellent study in light and shade.

  • Location: Footpath off Henley Road and Pier Road, North Woolwich
  • Date/Time: Monday September 2nd 2019 at 3.26 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ16; Shutter Speed – 1/500; Focal Length – 23mm; Film Speed – ISO400

Waterways – Paddington Basin

a night time view of the Thames Basin with high rise offices on either side of the water and their lights and those from moored barges reflect on the still water

This was a return visit to Paddington with the intention of capturing some night scenes. Thankfully I was suitably wrapped up as in the early spring night it had turned bitterly cold.
It was an evening for black and white photography, and it ended up being a very successful one too.

I’m very pleased with the outcome here as I was also test driving a new lightweight mini tripod. I don’t think I’d have successfully captured this long exposure shot otherwise which, combined with a narrow aperture and wide angle, creates a stunning view of this setting.

I also think the shot is elevated by the stillness of the basin water as it helps to accentuate the clean lines created by the reflections from the moored barges and street lighting.

  • Location: Looking east from Paddington Basin Footbridge into Paddington Basin at night
  • Date/Time: Wednesday April 10th 2019 at 8.47 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ14; Shutter Speed – 8s; Focal Length – 32mm; Film Speed – ISO800

Skyscapes – A Winter’s Sun

a shot gazing into a wintry sun with a victorian lamp providing the only point of reference

The sky has featured quite prominently in my photography during my travels. They’re mostly long shot cloudscapes, thundery skies or airplane vapour trails. But regardless of their pedigree, the London backdrop always makes for interesting pictures.
The setting here is a wintry January morning with a thin hazy cloud transforming the sun into an opaque ball. I’ve walked along the Thames Path north shore from Hammersmith to Fulham, passing the football ground before exploring Fulham Palace – well worth a visit.

It’s lunch time, so I’m not surprised at the number of joggers and serious runners there are around. Where the path is wide enough it’s OK, but they seem to have little regard for other walkers when the footpath narrows into almost one way traffic. 

The shot, taken straight into the sun creates an almost evening feel, and I positioned myself to frame the sun within the crosshair vapour trail and Victorian esque faux street lamp. The end result has the appearance of retaining the Victroian spirit I think.

  • Location: Thames Path, north shore between Hammersmith and Fulham
  • Date/Time: Tuesday January 29th 2019 at 12.51 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ14; Shutter Speed – 1/1000; Focal Length – 36mm; Film Speed – ISO100

Night Time – Peabody by Night

a five storey block of flats at night time and in black and white. The doors are lit up and the shot has an interesting symmetry

This is one of London’s social housing estates managed by the Peabody Trust. This is in Roscoe Street, just off Whitecross Street in EC1 and I believe it had recently been redeveloped.
This picture fits a number of other categories: architecture/residential, architecture/windows & doors and The Arts & Design/Patterns & Symbols.

But here it is in NIght Time. I was up in London walking around the Barbican Centre and surrounding areas one evening, and I saw this view which was too good to pass by. The estate is accessed through a footpath between two parts of Roscoe Street with a large car park in front, so its frontage is uninterrupted, making it easy to position myself in a central spot to take this wide angle shot.

There’s enough brightness from the collection of door lights to have taken this without the need for a tripod; and it’s symmetry and black and white presentation made this an ideal candidate for this category.

  • Location: Peabody Estate, Roscoe Street, EC1
  • Date/Time: Thursday December 5th 2019 at 4.17 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/100; Focal Length – 32mm; Film Speed – ISO6400

My final themed picture and I’m pleased this one ends my review of two years of travelling.
It had been raining hard when I was in Finchley Central and as the rain cleared, I started wandering off the main street – Ballards Lane and found myself in a discreet housing estate in Dorset Mews. Not somewhere you’d find unless like me you explore hidden corners.
This is a view from the end of the Mews back into Ballards Lane through the locked gates that once were the entrance to Newton Wright Limited 

Reflections – Newton Wright Ltd

an old works gated entrance for 'Newton Wright Limited' taken in black and white and a reflection captured in a still puddle in the foreground

My final themed picture, and I’m pleased this one ends my review of two years of travelling.

It had been raining hard when I was in Finchley Central and as the rain cleared, I started wandering off the main street – Ballards Lane, and I found myself in a discreet housing estate in Dorset Mews. Not somewhere you’d find unless like me you explore hidden corners.

This is a view from the end of the Mews looking into Ballards Lane through the locked gates that once were the entrance to Newton Wright Limited 

This is all that remains of the factory that once made x-ray equipment and scientific instruments and stretched as far back as 30 houses behind Ballards Lane.

The reflection jumped out at me as I reached this point, but I had to take a few shots before this one as there was a slight breeze that rippled the puddle and obscured the reflection. But it was well worth the wait to capture this mirror image of a recently forgotten historical memory.

  • Location: BallardsLane (opening into Dorset Mews, Finchley Central
  • Date/Time: Tuesday September 24th 2019 at 2.12 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/200; Focal Length – 45mm; Film Speed – ISO800

Related Posts

Categories
Themes

Themes #04 – Arts & Design

Welcome to this my fourth blog in my Theme series where I set out the reasons behind my recent selection. Over the past week I’ve posted pictures through my social media channels, and now I can give you a little more detail behind each picture.

I’m using the current Covid-19 lockdown period as an opportunity to showcase more pictures that may previously not have had any prominence, either through my travel blogs or more recently through my Memory collection. 

This week’s theme is all about ‘The Arts & Design’, a look at the creative side of life in and around London. I’ve categorised my pictures as follows: Sculptures & Statues, Street Signs, Patterns & Symbols, Station Names, The Arts and Entertainment. I think the category titles are self explanatory.

So I’ve selected these pictures on the basis that a) they’re an obvious fit, b) I like it’s artistic and/or photographic quality, and c) it has a good story to tell. I hope you agree, but feel free to drop me a line if you’d like to have any other suggestions?

Sculptures & Statues – Silent Dockers

a black and white image os a statue of three dockers going about their business. The background also captures the shadowy image of some of the cranes used in the docking heyday

Another from my day walking around The Royal Docks. But first a word about the abundance of sculptures and statues around London. Some sponsored privately and others publicly, but there’s definitely a trend to open up this creative art form to a wider audience.

It’s always delightful to find an unexpected work of art in a public place. Some are static and others only on display for a short time. So whenever you have the chance to look at them, make sure you do as you’ll not only learn about the work, but maybe look further into the artists or the reason for the work in the first place.

This represents the almost forgotten industry that once made London docks the economic centre of the western world. It’s a larger than life bronze work depicting three dockers grafting. One pushing a barrow, another crouched and the third, possibly the gaffer, overseeing. In silhouette, the gaffer looks almost as if he’s looking at his mobile phone – ha if only. But nevertheless the log book he’s using probably meant as much to him as we feel about our mobile phones today.

I’ve taken the shot directly into the sun to create the strong silhouette and made sure the crane artefacts appear in the background to help with the story telling. I think it’s quite dramatic.

  • Location: ‘London Dockers’ sculpture by Les Johnson in Royal Victoria Square outside the Excel Centre
  • Date/Time: Tuesday January 28th 2020 at 10.43 am 
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ11; Shutter Speed – 1/800; Focal Length – 39mm; Film Speed – ISO100

Street Signs – No.1 Street

a simple street sign displaying 'No 1 Street' from SE18 in the London area of 'Royal Arsenal'

What’s so interesting about a street sign? Well for me it helps identify (obviously) and in a way helps characterise its setting. 
I’ve seen some humorous and/or novel street names, such as Severus Road (for Harry Potter fans), Barnes Pikle and Moromon Terrace, but as soon as I saw this it made me question ‘is this where London started?’

Obviously not, but similarly as with Apsley House which has the postal address ‘No. 1 London’, No 1 Street has a unique sense of ‘I’m the first’

This is a redeveloped street of fashionable residences in the Royal Arsenal Heritage site in Woolwich. The thing about London street signs is that they not only carry the postal district (SE18), but usually some other distinguishing reference point. Sometimes the borough name, and sometimes some other historical reference as in this case, the area described as Royal Arsenal…neat.

  • Location: No. 1 Street, Royal Arsenal Heritage Site, Woolwich
  • Date/Time: Tuesday October 22nd 2019 at 1.15 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ7.1; Shutter Speed – 1/250; Focal Length – 34mm; Film Speed – ISO100

Patterns & Symbols – The RLH

this is a section of the east facade of the Royal London Hospital covered in an array of aerofiols which creates a striking striped black and white covering

Buildings, be they old or new, are built predominantly to be functional, but for some they are designed to demonstrate the architect’s creativity. And having tramped hundreds of miles around London, I’ve seen a wide and diverse demonstration of both attributes.
Some buildings are powerfully prominent, be it for historic reasons, or as observed in more recent times for their flamboyant use of materials. We all have a view, whether we express this or not. Prince Charles clearly didn’t hold back when describing the proposed extension to the National Gallery as a ‘monstrous carbuncle’,  back in 1984.

Notwithstanding their architectural merits, I also look out for patterns in the design. Maybe it’s because of my ‘organised mind’ or the need for order, but I do get some pleasure from seeing things that others might not.

Sometimes patterns are intentionally designed, and sometimes, as in this case, they only emerge at certain times of the day. 

The contrast between the two types of finish is in itself of interest. But with the late morning sun high up casting a shadow on the underside of the aerofoils, the resulting stark black and white effect is quite striking. 

  • Location: Royal London Hospital viewed from Stepney Way, Shadwell
  • Date/Time: Thursday January 16th 2020 at 11.18 am
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/400; Focal Length – 106mm; Film Speed – ISO400

Station Names – Welcome to Reading

this is a view across Reading station where there are five 'Welcome to Reading' signs

As a matter of record, I would photograph the station names as I travelled on my ‘endoftheline’ journey. Some would be from an interesting angle, but at the end of the day, the station name is a point of reference.

It could be for those arriving at their destination for reassurance that they are at the right station. Or conversely for those travelling to the station to catch their train, reassuring them they are at the right station.

There is a third reason and this picture helps show that. It’s for those weary travellers on long tiring journeys who may just pop their head up to look through the window amid slumber to read where they are? 

The array of signs on each of the 15 platforms here made this so unmissable, and when I viewed them across the platforms, it seemed my view was totally obscured by ‘Welcome to Reading’!

  • Location: Reading Station platforms viewed from Platform 15
  • Date/Time: Tuesday February 4rg 2020 at 11.19 am
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ6.3; Shutter Speed – 1/400; Focal Length – 106mm; Film Speed – ISO1000

The Arts – A Budding Artist

a child's painting of a boat with charicature crew of a captain and a number of stewerdesses. Emblazoned with the American flag and advertising American Express

I have many examples of street art and graffiti artwork that I could have selected for this category, and whichever I’d have chosen would have just rights to be here.
However, I’ve plummed for this child’s artwork which is part of a wider display.

This is one drawing of many on display emblazoned on the side of building hoardings surrounding a new build at Wood Wharf and Thames Street in Greenwich. Clearly created in conjunction with the adjacent Meridian Adventure Play Centre as part of the developers approach to work closely with the local community.

This one in particular stood out as the artists’ pen strokes are quite delicate, and s/he are obviously looking for marketing opportunities given the invitation to American Express to ‘come along’. Of all the pictures on display, it’s the only one I can see where the artists had mastered the creative signature. It’s amusing.

  • Location: Seen on building hoardings around a construction at Wood Wharf on Thames Street, Greenwich
  • Date/Time: Tuesday August 14th 2018 at 3.47 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/200; Focal Length – 49mm; Film Speed – ISO100

Entertainment – Let The Weekend Begin

five rows of tressle tables with an array of revelers eating and drinking in groups

Musicians, funfairs, museums and exhibitions make up this category, and of the pictures I’d selected for this category, they have mostly featured before in my weekly blogs. 
But this one of the Boxpark by Croydon Station represents a different type of entertainment. The type that the nation has missed for the last four months.

My day at Croydon had been an exciting one, one where I had been introduced to the world of street art, as part of Croydon hosting Rise Festival. Nevertheless, It had been a long day and I was heading back to West Croydon via Croydon station. Now I’d heard of the concept of Boxparks, but not experienced one, and what a buzzing place this was.

Bare in mind it’s just gone 5.00 pm on a Friday afternoon, and people are heading home, so the scene I share with you is of those relaxing, meeting friends and ‘switching off’ after a busy week’s work. The scene is influenced by the DJ in the background who was noticeably cranking up the bass as I stood, almost mesmerised by the sound of excitement in the air. 

Look closely and see how many groups there are just chilling with their mates or colleagues, or just waiting for someone else to join them for a drink. What a great way to begin the weekend. But sadly one that’s not been seen for several months due to the Covis-19 restrictions. No doubt there will be those cherishing the easements recently introduced.

  • Location: The Boxpark at Croydon Station
  • Date/Time: Friday September 7th 2018 at 5.21 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/125; Focal Length – 33mm; Film Speed – ISO320

Related Posts

Categories
Themes

Themes #03 – Architecture

Welcome to this my third blog in my Theme series where I set out the reasons behind my recent selection. Over the past week I’ve posted pictures through my social media channels, and now I can give you a little more detail behind each picture.

I’m using the current Covid-19 lockdown period as an opportunity to showcase more pictures that may previously not have had any prominence, either through my travel blogs or more recently through my Memory collection. 

This week’s theme is all about the diverse ‘Architecture’ we enjoy around London, and I’ve compiled them into the following categories: Residential, Industrial, Stations, Commercial, Windows & Doors, Station Fixtures & Fittings and Street Furniture. I think the category titles are self explanatory.

I’ve selected these pictures on the basis that a) they’re an obvious fit, b) I like it’s artistic and/or photographic quality, and c) it has a good story to tell. I hope you agree, but feel free to drop me a line if you’d like to have any other suggestions?

Residential – Southwyck House

a black and white picture of the facade of Southwyck House in Brixton. Made up plain bricks, small windows and a zig-zag feature to brak up the plain view

I wrote about this during my Brixton visit but felt it was worthy of a second airing.
Southwyck House looks vastly like a prison with a concrete zigzag to delineate the frontage with its co-joining staircase looking like a caged pen to keep the inmates in. This is a housing complex built in the 1970’s in anticipation of a motorway flyover which was never built.

One commentator records that it is known locally as ‘Barrier Block’ as indeed that was its design purpose. Hideous to think that this social housing was considered acceptable enough to be built. The architectural design whilst creating some features, does nothing to uplift the feeling of isolation and incarceration the building exudes.

My thanks though to @brixtonbuzz who has drawn my attention to the fact that ‘The Barrier Block actually provides a high standard of social housing. The back is all windows and open balconies’

Although taken in black and white to add effect, to be honest, the building creates the drama itself.

  • Location: Southwyck House which sits along Coldharbour Lane in Brixton
  • Date/Time: Tuesday May 28th 2019 at 11.27 am
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/200; Focal Length – 33mm; Film Speed – ISO100

Industrial – Overhead Tension

a collection of pulleys and wires set against a blue sky

I’ve debated whether this should be included under the ‘Architect’ theme as it’s more a piece of engineering. However I’m content that engineering is a form of architecture in that it’s not only functional but as this image portrays, it has a design element too.

This is a collection of pulleys and tension bars keeping the overhead electric cables taught. I saw the image in my mind, and set against a cloudy blue sky, this helps to highlight it’s elevated position.

It’s a simple shot, but not one you would normally see unless you happen to be standing on Bethnal Green Overground station platform looking up admiring the overhead infrastructure.

  • Location: Standing on Bethnal Green Overground station looking at the overhead electric cabling
  • Date/Time: Friday July 12th 2019 at 10.48 am
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/500; Focal Length – 55mm; Film Speed – ISO100

Stations – Euston Plaza

a dull blue/grey view of a hidden part of Eustaon Plaza with a high rise view as the backdrop and the foregound focussing on a white tiles walkway and stairs

With few exceptions, the stations I’ve visited have been predominantly rural and styled in the first half of the 20th century. And the main termini in Central London modelled and shaped by the gothic style favoured by the victorians.

But Euston station is different. Re-built as part of the concrete revolution in the 1960’s and not to everyone’s taste. It’s a functional station, but yet it too has its charms when you look deeply into its nooks and crannies.

This isn’t an obvious shot, and not a location you would see unless you went looking for it. It’s by the bike park under the bus terminal canopy at the front of the station and I’m looking up at the office tower at 1 Eversholt Street.

I’m attracted to the almost black and white colour palette and distinctive 60’s tiled stairwell and overhead walkway which classically evokes the architectural style of its period. The reference to the bikes is intentional to demonstrate the station’s transient purpose. I’ve emphasised the blue tone in the final image to highlight the white tiles against the industrial building facades that surround them.

  • Location: Behind the main plaza at Euston Station
  • Date/Time: Thursday May 24th 2018 at 11.25 am
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/200; Focal Length – 21mm; Film Speed – ISO100

Commercial – Pure Geometry

an array of square blocks each with a cross pattern creating a visual pattern

This is the facade to one of Watford town centre’s car parks.
The structure is a simple one made of a wall of building blocks consisting of four square segments, each of which has a cross pattern. No doubt architecturally sound, but the end result is visually stunning.

I suspect quite a quick and relatively cheap way to build, but I’m not judging it on it’s constructional or economic qualities but on it’s visual impact.

Whether you stand close or from afar, the effect is mesmerising, and maybe I should issue a health warning to migraine sufferers (of which I am one), as staring at the spots may trigger some visual disturbance.

This may appear a simple shot to take, but I had to exercise patience as the facade covers the parking bays and in some shots I captured the red parking lights as drivers arrive/leave. Whilst these made for a different outcome, I wanted to highlight an undistracted simplicity to this structure, which this example brings. I like it…

  • Location: CitiPark, Church Street, Watford
  • Date/Time: Tuesday June 18th 2019 at 12.29 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ7.1; Shutter Speed – 1/400; Focal Length – 28mm; Film Speed – ISO100

Windows & Doors – The Seedier Side of Watford Hospital

some tired looking doors and windows in a corner of this old hospital with water damage from downpipes on show. The colours are drab which highlights this tired view

First of all, let me confess I have a ‘thing’ for windows and doors. I can’t explain it but I’m always drawn to them when on holiday. Maybe it’s because of their variety, colour or location. Whatever the reason I know I’m not alone with this enjoyment and I feel it’s right that I have this as one of my Architecture categories.

I’m looking at the outbuildings facing Vicarage Road, and believe this is the corner of the Social Services unit and the Chaplaincy. The scene portrays a somewhat unloved corner of the hospital complex and no doubts reflects the significant challenges faced in maintaining a large NHS Trust these days.

The colours are slightly enhanced to emphasise the state of disrepair, but nevertheless not a welcoming site to new or returning visitors who pass by here whilst alighting from the adjacent bus stop.

  • Location: Watford General Hospital, Vicarage Road, Watford
  • Date/Time: Tuesday August 20th 2019 at 1.05 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ5; Shutter Speed – 1/125; Focal Length – 45mm; Film Speed – ISO100

Station Fixtures & Fittings – Arched Pipework

looking up into the roof void of this platform canopy , taken in black and white. the view shows off the symmetrical arched duct work intersected with rainwater down pipes

This picture is indicative of the station’s Victorian architectural character with the view taken through the supporting roof arches holding up the central platform’s canopy.
A simple shot taken from the staircase leading from the platforms, and looking down the length of the ironwork to capture the symmetry of the supporting arches.
Although taken originally in colour, the station colour scheme is predominantly black, echoing the Underground’s Northern Line style. I have though applied a black and white filter to give the otherwise faded colouring a bit of life.

  • Location: High Barnet Northern Line Underground Station
  • Date/Time: Tuesday January 21st 2020 at 12.40 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ6.3; Shutter Speed – 1/400; Focal Length – 70mm; Film Speed – ISO6400

Street Furniture – Walking Through Litter

a black and white shot taken through the opening of a littler bin framing a couple walking through

This is Lovers Walk, a small passageway which invited me in to take its picture, but I can’t find a composition that works well.
Almost walking away, I realise I’m leaning against a litter bin and notice its two open mouths face through to the passageway providing an interesting perspective. 

As I crouch down, I spot a young couple walking through the frame and I set about taking a series of shots composing their approach as the centrepiece; and they oblige unwittingly by keeping to the centre of the path.

Sometimes, you have to smile as the opportunities present themselves, as the lesson here is always be ready to capture that moment.

  • Location: Peering down Lover’s Walk, just off Ballards Lane, Finchley Central
  • Date/Time: Tuesday SEptember 24th 2019 at 1.49 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/160; Focal Length – 47mm; Film Speed – ISO500

Related Posts

Categories
Themes

Themes #01 – Social

Welcome to this my first blog setting out the reasons behind my themed selection. Over the past week I’ve posted pictures through my social media channels, and now I can give you a little more detail behind each picture.

I’m using the current Covid-19 lockdown period as an opportunity to showcase more pictures that may previously not have had any prominence, either through my travel blogs or more recently through my Memory collection. 

This week’s theme is all about the ‘Social’ aspect of life, which I’ve categorised as follows: People, Food & Drink, Sport, Religion, Retail, Remembering and Neglect & AntiSocial. I think the category titles are self explanatory.

So I’ve selected these pictures on the basis that a) they’re an obvious fit, b) I like it’s artistic and/or photographic quality, and c) it has a good story to tell. I hope I can convey these reasons through this week’s blog?

People – Man in Finchley

A black and white phot of a man standing still looking at his phone opposite King Edward Hall along Finchley Road

This was an opportunist shot as this man walked into frame and hesitated at the junction before crossing Arcadia Avenue. He was looking intensely at his mobile phone and I felt that the combination of his laid back pose, his concentration and the interesting background made for a good composition..

I was shooting mostly in black and white that day and I felt that the somewhat ornate, but now redundant, sundrenched King Edward Hall was a perfect setting. It’s a rare moment where I happen to be in the right place to capture this moment in time?

Who knows what the gent is doing or thinking, but I’m glad he stopped as he did as he was totally oblivious to my presence.

  • Location: Arcadia Avenue in Finchley Central looking into Regent’s Park Road
  • Date/Time: Tuesday 24th September 2019 at 1.11 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/250; Focal Length – 55mm; Film Speed – ISO100

Food & Drink – Late Night in Spitalfields

A colour photo inside Spitalfield Market as it's closing. Colourful tables and chairs in teh foreground with overhead string lighting casting a moody feel

This shot was taken during my meanderings around Liverpool Street Station when I eventually ended up in Spitalfields Market in the early evening. Traders are just shutting up for the day and the coffee shops and most restaurants have already closed.

This colourful view of a seating area through metal railings shows how things will look twice a day. At the start of the day, and as in this picture, at the end of the day as the restaurant staff have placed all their tables and chairs neatly together.

The moody lighting, colour palette and industrial setting gives this shot a warm feel, and one that portrays a pleasant stopping point during a busy day rummaging around the bustling daytime market.

  • Location: Spitalfield Market
  • Date/Time: Friday March 15th 2019 at 6.42 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/125; Focal Length – 39mm; Film Speed – ISO5000

Sport – No Games Today

A rain soaked terrace on the edge of Hackney Marshes sports ground

I found myself on the fringes of Hackney Marshes after wandering around Stratford and through the Olympic Park. I was headed towards New Spitalfields Market (how coincidental is that in relation to the previous post) when it started lashing down with rain and the only cover I could find was under the Eaton Manor Walk bridge as it crossed the main road.

Such was the deluge that the bridge offered little cover so after a short while I resigned to getting wet. In an attempt to get something out of the moment, I walked up the side path to the bridge and realised the steps extended into a very wide terracing for spectators to enjoy the spectacle of players on the nearby football pitches.

There were no games, but the weed strewn rain drenched steps gave a sense of how this area might look on a weekend with spectators made up of friends and family cheering on sons and daughters.

  • Location: Access steps to Eaton Manor Walk bridge over the A106 Eastway
  • Date/Time: Thursday June 13th 2019 at 12.06 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ4; Shutter Speed – 1/100; Focal Length – 28mm; Film Speed – ISO125

Religion – Waiting for Jesus

am na sleeping on the doorstep of the Universal Pentecostal Church in Brixton

This image of a rough sleeper on the steps of the United Pentecostal Church under the sign ‘Jesus Cares’ was one waiting to be captured.
It portrays a sense of hope, optimism, or maybe sheer desperation, and whichever it is, the passing pedestrians seemed little unconcerned. Maybe the gentleman was a regular and knew he would get sanctuary at some point: I hope he did?

  • Location: Standing on the corner of Bucknor Road and Acre Lane in Brixton
  • Date/Time: Tuesday May 28th 2019 at 12.11 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ7.1; Shutter Speed – 1/320; Focal Length – 55mm; Film Speed – ISO100

Retail – Cloth Ends

A saturated black and white photo of several ends of cloth rolls creating an array of circular patterns

My day started at Dalston Junction, a little known end of the line: one created as part of the Parliamentary line to Battersea Park station. And after a browse around the junction, I amble through the back streets, following the crowds really, into the busy heart of Dalston Kingsland.

Before I know it, I’m strolling through Ridley Road street market, just around the corner from Dalston Kingsland station. It’s market day and the street is heaving with local shoppers vying with the traders for the best deal of the day. Mostly fruit and veg, but there’s the occasional whiff of fish or butchered meat, and as it’s a very hot day so the flies are plentiful. Yuck!

At the back end of the market, where Ridley Road joins St Mark’s Rise, the type of stalls change, and this is where I found this one. I’d say over three quarters of the open front is crammed with these rolled up remnants, leaving a narrow doorway into the stall itself. But it’s the remnants that catch my eye. Colourful as they are, I’ve taken this in a black and white setting to add character to the picture, and in a way reflecting the grittiness of the market itself.

It’s an interesting reminder of the market, and one I’ll keep for a while.

  • Location: A trader along Ridley Road street market in Dalston Kingsland
  • Date/Time: Tuesday August 13th 2019 at 11.57 am
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/160; Focal Length – 48mm; Film Speed – ISO320

Remembering – Kennington Remembers

A memorial stone in Kennington Gardens

My visit to Kennington, on the Northern Line is a bit of a stretch of the imagination as it’s not physically a terminal station. However trains do end here, and after going around the Kennington Loop tunnel, they end up on the opposite platform ready to return northbound. So I’m content it’s a justified visit.

Kennington Park is a short stroll from the station and on this autumnal day, it was a very pleasant walk around the park enjoying the surrounding artefacts and gardens. When I stopped to read the inscription on this sculpture, I realised how poignant the moment was as it was a commemoration of an event that happened on this day in 1940.

What troubled me was that despite the fact someone had gone to the trouble of commissioning this sculpture, it now seems to have become forgotten as there was no evidence that the date had been remembered.

For my part, I share with you the inscription:

‘History despite its wrenching pain cannot be unlived but if faced with courage need not be lived again Maya Angelou

‘To commemorate the wartime suffering of the people of Kennington and in particular over 50 men women and children who were killed on 15th October 1940 when a bomb destroyed an air raid shelter near this spot. Rest in peace’

Read the full story of Kennington’s Forgotten Tragedy here. My thanks to the Friends of Kennington Park who shared this story with me.

  • Location: Kennington Park, just inside the entrance opposite the Sugar Pot on the main A3 Kennington Park Road
  • Date/Time: Tuesday October 15th 2019 at 12.14 pm
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/160; Focal Length – 24mm; Film Speed – ISO200

Neglect and AntiSocial – Not Funny!

two clown'ish grafitti faces on a  car park wall in Romford

I found this on one of several days out in Romford. On this particular dank day, I was walking around the town’s perimeter on a mission to traverse all the town’s central car parks. Why? To view the town where I have lived for over thirty years from a different perspective.

Street art or wall art has become a common feature right across London, and I was first introduced to this art form when in Croydon at the outset of my end of the line story. There I met several artists, very creative artists whose passion shone through in their works. It was in Croydon I also appreciated the difference between street art and graffiti: the former is approved whereas graffiti is not. More a random bedaubing, often in discreet locations where the perpetrators are unlikely to be seen.

This is a very simple example made up of two heads with a smile, or grimace. Maybe a budding street artist testing out his/her skills. Nevertheless, a sight that seems to crop up only too often around London these days.

  • Location: Inside a stairwell at Angel Way Car Park, Romford
  • Date/Time: Thursday December 12th at 11.55 am
  • Settings: Camera – Canon EOS 200D; Aperture – ƒ3.5; Shutter Speed – 1/80; Focal Length – 23mm; Film Speed – ISO800

Related Posts

Categories
Memories

Memories No 12 – from Battersea Power Station to Barking Riverside

My twelfth and final blog outlining the stories behind my ‘Pictures of the Day’. For this week’s review, I travel to the ends of the Northern, Overground and Tfl Rail lines in February and March 2020 just before the Coronavirus lockdown is announced

This final portfolio celebrates unfinished dreams. These Tfl stations are still under construction and not originally expected to open until 2021. Although who knows how the Coronavirus lockdown will impact their commissioning date.

But for now, see what you think and please tell me which is your favourite picture, and why. You can contact me through any of my social media channels. So here goes for the final blog in this series.

#78: Battersea Power Station – ‘Talking Heads’

two large sculpted ebony black heads facing each other with an array of lights pusating over their faces

11/02/2020 – Today’s picture is taken in the piazza on Riverside Walk just west of Battersea Power Station – this is called ‘Talking Heads’. This one is part of a study of each of the two heads which I took at intervals to create an animation showing the different facial expressions.

This selection, with both heads in shot, helps to set the scene. The heads are in metallic black, and the white LED’s help to complement the effect. So I’ve added a black and white filter to this shot to show it off at its best

Settings: Camera – Canon EOS 200D; Aperture – ƒ6.3; Shutter Speed – 1/400; Focal Length – 125mm; Film Speed – ISO400; Google Photo Filter – Vogue

#79: Abbey Wood – ‘The Enigmatic Woman’

an artwork head portrait of an attractive girl with long wavy hair

18/02/2020 – This is one of two striking graffiti/murals on the wall opposite the station lift entrance in Gayton Road. The original is in colour, but to be honest, the colour palette is marginal as the majority of the artwork is in black and white. So I’ve applied a Vogue black and white filter to emphasise the quality of this bold piece. The detail is fine and the eyes follow you, which provides a somewhat evocative feature.

And interestingly, if you look closely, the work has other graffiti etched across the cheeks too.

The artist ‘astek-London’ has signed his presence and he’s clearly keen to promote his work, so go and have a look at his Instagram page for other examples of his skills and talent.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5; Shutter Speed – 1/200; Focal Length – 54mm; Film Speed – ISO125; Google Photo Filter – Vogue

#80: NOW Gallery, North Greenwich – ‘Colour by Numbers’

a view into a mass of numbers hanging from the ceiling. the numbers are delicately arranged so that they are allingned and coloured

05/03/2020 – Ah! A difficult choice as most of the pictures I took are of numbers, from the Slices of Time exhibition by Emmanuelle Moureaux. I think this one reflects the mood of the piece best for me as it portrays the colour palette, symmetry and precise intricacy in one shot.

Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/125; Focal Length – 33mm; Film Speed – ISO2500; Google Photo Filter – Blush

#81: Barking Riverside – ‘Bricks & Mortar’

the facade of a new housing block

10/03/2020 – For this my final Picture of the Day from this first series of travels, choosing a picture to remember the day had been a struggle. Mainly because the sky was dull and grey which tended to flatten the pictures I’m taking, and because the landscape I’ve walked through has been predominantly industrial. 

But nevertheless, today’s picture merges the old and new industries. The setting is that of the fast developing Barking Riverside housing development:  once a marshland and a brownfield site occupied by the Barking Power Station.

This is a view of the ‘almost complete’ Parklands development at the eastern end of Fielders Crescent (a new road) which I’m looking at in a westerly direction. The symmetry of the design and the harshness of the brickwork, which has now almost become the standard brick used across London for such developments (well that’s my opinion), lends itself to being taken in Black and White.

Settings: Camera – Canon EOS 200D; Aperture – ƒ6.3; Shutter Speed – 1/640; Focal Length – 170mm; Film Speed – ISO1000; Google Photo Filter – Vista

Categories
Memories

Memories No 11 – from Woolwich Arsenal to Reading

My eleventh blog outlining the stories behind my ‘Pictures of the Day’. For this week’s review, I travel to the ends of the District, DLR, Emirates Air Line, Metropolitan, Northern, Overground and Tfl Rail from October 2019 through to February 2020.

It’s not all Black & White, well almost not. With the exception of one colour picture in this week’s portfolio, I seem to have returned to my heyday and original passion for monochromatic photographs. To me they seem far more expressive, and this, the penultimate blog in this series, is a homage to that style.

But for now, see what you think and please tell me which is your favourite picture, and why. You can contact me through any of my social media channels. So here goes for week 11. Please let me know what you think?

#71: Woolwich Arsenal – ‘Silhouetted Statues’

Cast iron statues caught in black and white on the banks of The Thames

22/10/2019 – Taken at the very bottom of the Royal Arsenal Heritage site in James Clavell Square. There is nothing (as far as I can see) to tell me who the sculptor is so an internet search is needed. My first inkling is that it’s an installment by Antony Gormley, and some internet results also suggested this. But wrongly as it turns out and it’s a sculpture by Peter Burke.

Approaching the square from the west, I see this interesting installation from afar and capture some shots through a telephoto lens to narrow the frame whilst also capturing passers by between the 16 statues. But as I get closer, I feel it’s better to be amongst the rusty statues and I compose today’s shot still with passers by in-between the statues. I position myself so that the decorative street lamps almost form part of the installation as well.

In post production, I’ve decided a black & white filter influences the picture best as it helps to highlight the starkness of the shadows cast by the early afternoon sun.

Settings: Camera – Canon EOS 200D; Aperture – ƒ6.3; Shutter Speed – 1/500; Focal Length – 130mm; Film Speed – ISO200; Google filter – Vogue

#72: Upminster – ‘Upminster Court’

Upminster Court viewed through its ornate gates (closed), from the roadside

05/12/2019 – This is taken at Upminster Court along Hall Lane headed north out of Upminster showing off its grandeur, and highlighting its seclusion behind these locked gates.

This should have been a simple shot to capture if it wasn’t for the fact that to get the full frame of the gates in view and keep both mansion and gates in focus required that I stood at the very edge of the pavement set against a busy Hall Lane. So I keep one eye on the traffic and the other on framing this picture.

I take several shots with attempts to capture the right colour and vividness using flash for some fill in, and some shots using the camera’s in-built grainy  black & white filter. However, this one has been taken in full colour with flash, and in post production I’ve adjusted the final image with a harsh black & white filter to create the starkness that makes this picture work well.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/160; Focal Length – 18mm; Film Speed – ISO100; Google filter – Vista

#73: Romford – ‘A Person in a Passage’

A long shot of a raindow style painted arched walkway, with a shopper in the distant

18/12/2019 – This view is taken through the partly covered arches on the northern side of Romford station running alongside and eventually into Exchange Street. The multi-coloured path is almost an attractive feature if it wasn’t for the fact that this is a somewhat seedy cut-through to the west of Romford. But nevertheless, it provides for an attractive photo-opportunity.This is taken facing west.

I waited for the right pedestrian to reach the end of the tunnel so that their silhouette helped to fill the tunnel opening. The late afternoon daylight coming in overhead helps to highlight the floor pattern, and the arch brickwork is enhanced using a green (Alpaca) filter.

Settings: Camera – Canon EOS 200D; Aperture – ƒ3.5; Shutter Speed – 1/60; Focal Length – 18mm; Film Speed – ISO6400; Google filter – Alpaca

#74: Aldgate – ‘What’s for Lunch?’

Lunch time food shoppers browing what to chose at a pop-up food market. The main character is focussing inteently on the menu: he's wearing a wolly hat and parka typw hoodie, and vaping

16/01/2020 – This picture was taken in the food market in Goulston Street, just off Wentworth Street, and is part of a series studying lunch-time office workers deciding on their food choice of the day. The street is lined with open air pop-up food stalls, and their menus and price guide erected high up on their stalls so that potential customers can see what’s on offer whilst they move around the crowds.

I’m standing amidst the crowds and slightly elevated when taking this shot, and I notice that those queuing to be served are all studying the menu board intently, oblivious to their surroundings. Presenting this in black & white helps to strengthen the observation, and I believe it also helps to focus attention on the three main subject’s gaze. The individual in the centrepiece has a simple ruggedness to him which playfully offsets the more traditional office gent on the right.

Settings: Camera – Canon EOS 200D; Aperture – ƒ6.3; Shutter Speed – 1/640; Focal Length – 200mm; Film Speed – ISO2000; Google filter – Vista

#75: High Barnet – ‘Going Down’

A view down the steep slope to the station entrance with one passenger walking by

23/01/2020 – Today’s picture is taken to demonstrate the extent of the gradient from High Barnet station entrance. I’ve cropped this picture vertically using the three handrails to accentuate the descent. Applying a deep Black & White filter (Vista) helps to highlight the horizontal sunbeams hitting the middle railing and ground as the sun shines through an out of shot fence on the right.

Settings: Camera – Canon EOS 200D; Aperture – ƒ4; Shutter Speed – 1/80; Focal Length – 18mm; Film Speed – ISO100; Google filter – Vista

#76: Emirates Royal Docks – ‘Sunburst’

A view of the bridge struts looking directly inot the sun, which casts deep shadows

28/01/2020 – This shot is taken on the Royal Victoria Bridge looking straight into the low lying sun. I’ve positioned myself so that the point of dissection of the bridge support struts intersect the sun. The shot is unfiltered as the stark sunlight adds to the shadowy black and white effect I’m trying to create, and highlights the white wispy clouds against an otherwise clear sky…

Settings: Camera – Canon EOS 200D; Aperture – ƒ13; Shutter Speed – 1/800; Focal Length – 18mm; Film Speed – ISO100

#77: Reading – ‘Caversham Weir’

A log view of Caversham weir with its metal railings on both sides narrowing to the bridge entrance

04/02/2020 – This is a view of the footpath over Caversham Weir. I waited for some cyclists and pedestrians to pass by and I crouched down to get the low view shot. The railings on either side help to guide you through the picture and the Vista filter adds strength and starkness.

Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/100; Focal Length – 28mm; Film Speed – ISO125; Google Photo Filter – Vista

Categories
Memories

Memories No 10 – from Dalston Junction to Kennington

My tenth blog outlining the stories behind my ‘Pictures of the Day’. For this week’s review, I travel to the ends of the Central, DLR, Metropolitan, Northern, Overground and Piccadilly lines from late August to mid October 2019.

Although three of this week’s portfolio inclusions are in Black & White, I think they support the ‘Colour’ theme title I’m giving them. Debate!..

But for now, see what you think and please tell me which is your favourite picture, and why. You can contact me through any of my social media channels. So here goes for week 10. Please let me know what you think?

#64: Dalston Junction – ‘Graffiti Lane’ 

A multi-coloured graffiti alleway

13/08/2019 – Although today’s journey started at Dalston Junction, this picture is taken at the corner of Blackall Street and Ravey Street in Shoreditch. There’s a new building here where passers-by are admiring its fancy facia and a below ground coffee house and seating area. However, I’m more interested in the view along the side of Blackall Street, now almost an alley due to hoarding surrounding another new build, blocking most of the street. There’s just enough room to squeeze through, and because of its limited accessibility, I suspect that’s created an opportunity for graffiti artists to practice their art. I played with the HDR settings on this shot to create an oversaturated effect with the colour scape.

The artwork, its vividness and alley effect peering in on workmen in high-vis jackets at the far end of the street creates a colourful, gritty urban memory. One I think that reflects the day I’ve had today. 

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/320; Focal Length – 55mm; Film Speed – ISO1250; Google filter effect – Alpaca; Camera effect – HDR art vivid

#65: Watford – ‘Green is the Colour’ 

Shimmering water reflection under Cassiobury Bridge along the Grand Union Canal

20/08/2019 – This is Cassiobury Park Bridge (No. 167) besides Ironbridge Lock (No. 77) on the Grand Union Canal as it flows through Cassiobury Park. After seeing a narrow boat through the lock, I wander around it and under the bridge and notice the sunlight shimmering off the canal surface iridescently onto the underside of the bridge.

I’ve taken this shot using a vivid art effect on the camera, and in post production, I’ve applied the green Alpaca filter from Google Photos. The effect is quite mesmerising, particularly with the water reflection continuously changing its display on the underside of the bridge. The combined effect not only saturates the greens, but adds a sparkle to the story as your eyes are drawn to the rustic lock gates..

Settings: Camera – Canon EOS 200D; Aperture – ƒ5; Shutter Speed – 1/250; Focal Length – 36mm; Film Speed – ISO640; Google filter effect – Alpaca; Camera effect – HDR art vivid

#66: West Ruislip – ‘Lunchtime’ 

A black and white portrait of a woman sitting on a bench next to the Great Barn at Ruislip Farm buildings

27/08/2019 – I’ve taken this picture within the grounds of Ruislip Manor Farm buildings. In particular within the green area enclosed by the Great Barn, the Library and the Cow Byre Gallery. I’m looking directly at the Great Barn and as I walked through the first time I was struck by the magnificence of the restored buildings, the starkness of the black wooden cladding and the contrast this created with the sun soaked roof tiles. 

Getting the right tone of black is difficult, especially with the sun directly overhead, so I take a few practice shots to get the camera settings just right.

Now I’d seen this lady when I first walked by; she seemed to have stopped for her lunch and is now intently studying her mobile. My first thought is to capture The Barn without her in the frame, but the more I played with my positioning, the more I thought her inclusion helps to set the scene. I deliberate on whether to ask her to stay, but decide against this as it would then have made her conscious of my presence. It’s her intense concentration and complete lack of awareness of her surroundings that I believe adds to the final picture.

I started with a shot from afar which captures too much foreground, so I walk closer to tighten the shot, and then maybe after every 10 steps I take the same picture. In this final shot, I’m probably no more than 3 or 4 metres away and I’m very happy with the outcome. Even as I walk right past her, she still doesn’t acknowledge me, so whatever she’s doing, it’s certainly very riveting.

In post production, I played a little with Google Photos filter settings to get the starkness of the black I was after to represent as close as possible the colour I saw. The ‘Vista’ setting does this justice.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/80; Focal Length – 47mm; Film Speed – ISO100; Google filter effect – Vista; Camera effect – B&W

#67: Beckton – ‘Sunstreaked Stairway’

a woman walking down the covered walkway from Gallions Reach DLR station. Sun streaking through the railings creating dramatic patterns

02/09/2019 – From Beckton I walk down Woolwich Manor Way to Gallions Reach DLR station which is surrounded by a large, empty paved area. I guess during peak travel times this is busy as commuters either make their way home or divert to the nearby shopping park. Anyhow, as I take a breather, I notice the enclosed walkways from the raised platforms to ground level have a distinct pattern; and with the afternoon sun streaming through, it casts dramatic shadows which I sense will make for a good shot.

I set my camera on the ground using my trusty bean bags (best investment next to a tripod) to help steady the shot, and with minor placement adjustments I’m pleased with how I capture the contrasting shadows. Passengers have just alighted from a recently departed train and I realise  I need to capture their movement to complete this picture. Alas I’ve just missed that opportunity so I set the camera and wait for the next train. You know what, it always seems longer when you’re waiting for something, but probably no more than 10 minutes later I get my chance as another Beckton bound train arrives.

The passenger’s black and white attire complements the shadow effect perfectly, and her gaze away from the camera somehow represents some disdain at being photographed, but she doesn’t challenge me as she passes by. I quite like the end result.

Settings: Camera – Canon EOS 200D; Aperture – ƒ29; Shutter Speed – 1/100; Focal Length – 

36mm; Film Speed – ISO400; Google filter effect – Vista; Camera effect – B&W

#68: Finchley Central – ‘România’

The Romanian flag colours painted on the side of a building - Blue, Yellow, Red

24/09/2019 – I’d intended to have a predominantly black and white day to help capture the moody weather conditions, but when I saw this wall, it simply wouldn’t have worked in B&W. The location is on the side of a closed and abandoned restaurant, the Central Restaurant, part of the Central House tower block complex on the corner of Ballard Lane and Nether Street.

It’s a very simple scene as this part of the wall has been painted in these three bright colours. The taking of the picture was less than simple as I’m positioned on the opposite side of the road, my camera low on the ground, and waiting for traffic queueing at the nearby traffic lights to move along. I’m keen to get a shot uninterrupted by cars, but this setting only gives me about two to three seconds every three minutes or so as the lights change and traffic moves by. I end up taking several shots to get the one I want, with the added challenge the sky is getting darker by the minute and about to pour, so there’s some additional pressure not to get wet as well.

I set my camera in ‘art vivid’ mode which creates an enhanced effect by taking three consecutive shots with slightly different settings. The camera software then stitches the individual pictures into one creating heightened colours. I’m pleased with the outcome but realise that the vanilla shot (with no traffic) lacks something in the composition, and I believe this one with a ghostly image of a car just entering the frame on the left hand side helps with the picture’s story. The effect is created by the image of the car being taken on the third shot and appears somewhat shadowy when stitched with the other two pictures. 

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/640; Focal Length – 55mm; Film Speed – ISO400; Google filter effect – Auti; Camera effect – Vivid

#69: Uxbridge – ‘FCK Boris’

'FCK Boris' daubed in red paint on a white wall

02/10/2019 – This is my first picture of the day taken inside the flight of stairs leading to the top of Cedars Car Park from High Street above Tesco. I’m drawn in by the red and green colouring of the stairwell I see from the street so I decide to traverse the stairwell, and my curiosity to see Uxbridge town centre from the rooftop is piqued.

It’s the type of stair well you’d rather not go into as it smells of urine; although I have to say it was relatively clean. I had no expectation of finding anything of interest but after walking up the first flight of stairs, this image is staring back at me.

I’m intrigued by the graffitti as its socio/political statement is clearly directed at the Town’s Member of Parliament who is also the current (at the time of writing) Prime Minister. The ‘statement’ raises the question in my mind as to whether the ‘artist’ is dyslexic, or that they have decided out of respect not to spell the swear word in full. But amusingly they are quite content to bedaub a publicly accessible wall in a somewhat hidden position where only a few passers by will see it. 

Settings: Camera – Canon EOS 200D; Aperture – ƒ6.3; Shutter Speed – 1/200; Focal Length – 53mm; Film Speed – ISO2000; Google filter effect – Auto

#70: Kennington – ‘What’s your pleasure?’

a black and white image showing the plinth mounted artwork of a lady in 18th century garb being offered a flower from a young man from the present day.

15/10/2019 – There’s an interesting back-story behind today’s picture. The artwork I’ve captured here is found at the entrance to the Vauxhall Pleasure Gardens just east of Vauxhall Station. The history of the Pleasure Gardens dates back to the 18th Century when they became popular with the urban middle classes as places for paid entertainment. Vauxhall also had a seedier reputation for prostitution here too.

For those who saw the recent dramatisation of Vanity Fair by William Makepiece Thackarey, you’ll be familiar with the vision of fun and frollicking within the context of a fairground – then that’s how I imagine the pleasure gardens to have been.

This is a picture of two sculptures atop tall plinths. The sculptures recently erected in 2015 represent the coming together of Vauxhall as seen today with its historical significance. Let me explain: the artwork depicts the figures of a lady in 18th century garb being offered a flower from a young man from the present-day; and shows a representation of a silent conversation between the past and present in Vauxhall Pleasure Gardens.

I took several shots in colour and black & white and feel this grainier image depicts the scene best, with a slight homage to the modern day with the building crane in the middle foreground and the scaffolding on the right.

Settings: Camera – Canon EOS 200D; Aperture – ƒ10; Shutter Speed – 1/500; Focal Length – 50mm; Film Speed – ISO100; Camera setting – grainy B&W

Categories
Memories

Memories No 09: from Battersea Park to Uxbridge

My ninth blog outlining the stories behind my ‘Pictures of the Day’. For this week’s review, I travel to the ends of the Central, Hammersmith & City, Overground and Piccadilly lines through the summer months of July and August 2019.

I think this must have been the wettest couple of travelling months so far, despite it being the height of Summer. No discernable theme with this week’s portfolio, just a random collection whose only connection is that they are a sequence of 7 Pictures of the Day. Anyway, all for your enjoyment, I hope?

But for now, see what you think and please tell me which is your favourite picture, and why. You can contact me through any of my social media channels. So here goes for week 9. Please let me know what you think?

#57: Battersea Park – ‘Tea Break’

'Tea Break' - An orange figure reclining with a cup of tea outside Battersea Power Station

02/07/2019 – This art installation is by Jesse Wine and entitled ‘Local Vocals’. It’s outside the marketing suite and within an open piazza overlooking the river and adjacent to a viewing platform. You can’t miss the bright orange reclining figure representing workers who have stopped for a rest and a cup of tea.

Getting this shot took some patience as I waited for onlookers who would otherwise have been in frame, to leave the area. Anyway, after a little time they moved on freeing me up to ‘own’ the space for a short time.

The striking colour is what first drew me in and the figure’s reclining effect is mirrored in a number of ways: by the red/white deck chairs which are there for those watching the Wimbledon Tennis on  large screens behind the figure; and by the reclining chairs in the foreground which I’ve framed to emulate the shape of the reclining figure. The figure’s black cap and a cup of tea contrasts nicely with the orange, and the addition of a ‘bazaar’ Google Photos filter helps to heighten the contrast of the orange with the bluer hue of the surrounding buildings.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/250; Focal Length – 27mm; Film Speed – ISO100; Google Photo Filter – Bazaar

#58: An Art Special – ‘Looking On’

'Looking On' - A visitor to The Other Art Fair Looking on at the list of entries to the Graduate Art Prize

07/07/2019 – I caught this gent studying the narrative about the Graduate Art Prize and he was oblivious to his surroundings so I quickly caught the moment. I’ve cropped the original shot to remove any unnecessary distraction and applied a Google Photos Vista Black & White filter to add a measure of graininess to emphasise the monotone outcome.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5; Shutter Speed – 1/125; Focal Length – 25mm; Film Speed – ISO100; Google Photo Filter – Vista (B&W)

#59: Liverpool Street – ‘Taxi!’

'Taxi' - a London Black Cab in disrepair with its windscreen smashed in

12/07/2019 – This abandoned black cab, with its windscreen smashed in, seems to have reached its own end of the line. It’s one in a long line of others abandoned under the railway arches in Collingwood Street: an area awash with London Taxi repair garages.

I’ve taken this with a 160mm focal length to get a tight shot with the row of taxis behind in frame. This helps to limit the background and capture enough contrasting light to balance the end result.

Applying a black & white filter is perfect in emphasising the cab’s blackness and highlights the contrasting light through the arches and overhead .

Settings: Camera – Canon EOS 200D; Aperture – ƒ5; Shutter Speed – 1/500; Focal Length – 160mm (75-300mm zoom); Film Speed – ISO1600; Google Photo Filter – Vista (Black & White)

#60: Epping – ‘Bridge O93A’

'Bridge O93A' - a view inside the canopied footbrige just outside Epping station

18/07/2019 – This is the covered footbridge over the railway line by Epping station joining Station Approach with Hillcrest Way and onwards onto Bower Hill. No doubt a much used footbridge when the side entrance from the station into Hillcrest Way is closed, but equally an unloved one judging by its state. A narrow bridge with just enough room for two people to pass side by side, and covered with a metal cage to allow some light in and to prevent anything and anyone (yes) being thrown onto the railway track below, as now prescribed by current highway standards.

The wide angle shot is taken to draw the eye down the tunnel and accentuate the grill effect of its covered meshwork. In doing so, highlighting its necessary yet unwelcoming feel and one you probably would think twice about walking through on a dark evening. The picture has been manipulated using a Google Photo ‘Reel’ filter to enhance the colour contrast.

Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/160; Focal Length – 18mm (75-300mm zoom); Film Speed – ISO250; Google Photo Filter – Reel

#61: Upminster – ‘Donald Trump’

'Donald Trump' - a name I've given to a proud and strutting crested saxony duck  in Clockhouse Gardens

24/07/2019 – Meet Donald Trump…well it’s a name I’ve seen given to this type of crested duck on the internet, and I can sort of understand why with its glorious bouffoned crest beautifully coiffed in an elegant ‘comb over’ effect. This duck clearly stood out from the crowd as it was the only one of this type I could see, as it waddled majestically amongst all the other ducks in Clockhouse Gardens.

The picture was a little tricky to capture as I’m using the barrel of my 75-300 mm lens as the only stabiliser, so the risk of camera shake is high. The lighting is also tricky as the duck is in a shaded area which is heavily backlit by the sun creating a contrasting light & shade effect. The shot is taken almost at ground level resting the camera on the low level fencing surrounding a pond.

I’ve tried to find out the breed, and the closest I’ve got to determining this is that it’s a Crested Saxony as identified by the Domestic Waterfowl Club of Great Britain. Although the crested gene can be grown into most duck breeds, it does nevertheless have a breeding consequence as not all eggs will result in a successful hatchling.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/1000; Focal Length – 255mm (75-300mm zoom); Film Speed – ISO5000; Google Photo Filter – Palma

#62: Barking – ‘Gone Fishing’

'Gone Fishing' - a silhouette of a boy riding a bicycle holding a stick near the pedlos in Barking Park

30/07/2019 – I’m trying out several long distance focal length shots: to highlight the yellow boat against the blue pedalos, and to show how they’re framed by the two tone greens of the overhanging trees in the foreground and the trees in the background. But I felt there was something missing in the final composition so I took some with geese in the foreground, but that didn’t quite work either.

Then, whilst I was kneeling and getting wet, there was a teenage lad cycling in the foreground. I waited for him to get out of the shot, but he suddenly appeared with a stick in his hand as if he was fishing. And as he appeared I snatched a few shots in case he didn’t return. I knew it was just right as he brought a human element to the shot, and thereby helping to balance the otherwise stillness of the picture.

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/800; Focal Length – 230mm (75-300mm zoom); Film Speed – ISO640; Google Photo Filter – Alpaca

#63: Uxbridge – ‘Hello! Can you hear me?’

'Hello! Can you hear me?' - a grainy black and white picture of a young lad with his mobile to his ear as he walks up a covered footpath

07/08/2019 – I spent most of the day with my camera set in Black & White mode, and this picture comes from that collection. The graininess I’ve applied to this picture adds a particular edge to it which I think works well. I’m standing on the footbridge over the Oxford Road leading to the car park entrance to The Pavilions shopping centre.

The concrete and graffiti stand out and whilst I’m trying to get the right lighting effect, there’s an elderly gent walking down the ramp trying to avoid being in the picture. I respect his desire for anonymity and leave him to walk out of sight, but think that the photo would be better with someone in it. 

I move onto the lower part of the ramp looking up. With the sun casting strong shadows, I line up the metal handrail on the right hand side so that my eye is drawn to the graffiti on the end wall. And as I’m crouched low, trying to emphasise the rising ramp, I wait for someone to walk into the shot. This gentleman obliges, unaware of my presence, apparently distracted by his mobile conversation – thank you.

Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/400; Focal Length – 51mm; Film Speed – ISO100; Google Photo Filter – Eiffel

Categories
Memories

Memories No 08: from Clapham Junction to Chesham

My eighth blog outlining the stories behind my ‘Pictures of the Day’. For this week’s review, I travel to the ends of the DLR, Metropolitan, Overground, and Victoria lines from the end of April to the end of June 2019.

The clocks have changed and the Spring days are starting to lengthen again. I’m fortunate with the weather as it seems over these two months I’ve been exploring ‘walkways’.

But for now, see what you think and please tell me which is your favourite picture, and why. You can contact me through any of my social media channels. So here goes for week 8. Please let me know what you think?

#50: Clapham Junction – ‘Sif’

Meet 'Sif' the bearded dragon enjoying the sun

30/04/2019 – Meet Sif, the bearded dragon.

I’m surprised to see him sitting on a book (The end of Mr Y by Scarlett Thomas) with his keeper, both of whom were enjoying the sunshine. I had to ask if he was real and in doing so, got into conversation with Jermaine, a local resident who was enjoying the sunshine.

The soft tones of the book he’s sitting on blended nicely with the brick wall behind, and with each shot I got closer but making sure the eyes were the focal point. 

Sif is a good subject, and seems unperturbed by my intrusion, but just like taking pictures of children, I believe the secret is to shoot quickly and keep a close crop so that the subject fills the screen.

Settings: Camera – Canon EOS 200D; Aperture – ƒ/6.3; Shutter Speed – 1/250; Focal Length – 37mm; Film Speed – ISO100; Google Photo Filter – Blush

#51: Bank – ‘Mind the Gap’

'Mind the Gap' is a picture of the DLR train just coming into the station

09/05/2019 – This was one of my first photos of the day and after a few test shots to get the settings right, I waited for a sequence of trains to pull into the end of the DLR at Bank station. With a slow shutter speed to capture the train’s movement, I was pleased, and surprised, to get the focus just right as this is a hand held shot. 

The position of the train as it is just about to pass the station sign was planned, and as the sign states the platform is for ‘alighting only’ so there were no other passengers waiting other than me. I was half expecting to get stopped by passing Tfl staff as I was loitering there for quite a while, but guess they’re used to enthusiasts hanging around. 

The wide angle shot lets me get the full length of the station in frame, and the fast ISO setting lets me get the depth of field I wanted. Maybe the lighting could have been slightly darker with a slower film speed setting, but sometimes a compromise is OK.

Settings: Camera – Canon EOS 200D; Aperture – ƒ/22; Shutter Speed – 1/5; Focal Length – 18mm; Film Speed – ISO12800; Google Photo Filter – Auto

#52: Crystal Palace – ‘The Painted Lady’

'The Painted Lady' - one of the shpinx with black mascara and red lipstick

14/05/2019 – As soon as I saw this sphinx at the top end of Crystal Palace Park, I knew it would feature as my picture of the day as the artwork somehow elevated the statue to something else. There are several of these sphinxes adorning what would have been the many entrances into the original Crystal Palace, but this one in particular stands out because a budding artist has stamped their own mark on the sculpture.

I’m standing on the plinth about six inches away from the sculpture, and although not in imminent danger of falling, one misplaced step could have been awkward. Nevertheless, I felt the calculated risk was worth the effort as I closed in on the face making sure I kept the neighbouring sphinx in frame. The sphinx looks South Easterly across the North Downs, and on a day like today the view is uninterrupted as far as the eye can see.

I particularly like this picture because of the modern twist given to the faux relics, and who knows, would the Egyptians have done likewise?

Settings: Camera – Canon EOS 200D; Aperture – ƒ/8; Shutter Speed – 1/320; Focal Length – 24mm; Film Speed – ISO100; Google Photo Filter – Auto

#53: Brixton – ‘Walking through Brixton’

'Walking through Brixton' - three pedestrians walking past a painted sign of brixton under the railway bridge

28/05/2019 – This was a tricky shot and is one of a sequence taken to get the right composure. I’m standing under the main railway bridge just by the station, on the west side of the road looking at the ‘BRIXTON’ mural on the wall on the east side. Traffic is coming from both directions and people walking by from the mainline station and underground. As the traffic lights turned red, there’s a double decker bus just out of shot on the left hand side – you can just make out its yellow wing mirror above the ‘B’. And I was trying to line up people walking by making the upright of the letters.

Judging the timing was crucial to get that juxtaposition, and as I saw the girl in the green top, she was ideal to colour complement the mural. Some shots got quite busy with people walking in different shapes to the letters, but this one was perfect. There are three people whose movements coincide with an upright part of a letter. The lady on the left just entering the ‘B’’; the guy on the right making the ‘N’ and partly hidden by the traffic light post, and the lady in green making a perfect centrepiece forming the upright of the ‘T’. I think it works…

Settings: Camera – Canon EOS 200D; Aperture – ƒ/4.5; Shutter Speed – 1/100; Focal Length – 32mm; Film Speed – ISO200; Google Photo Filter – Alpaca

#54: Stratford – ‘Green Lane’

'Green Lane' - a view looking through tall hedges in the former Olympic Village

13/06/2019 – The precise location of this shot is at the northerly end of Champion’s Walk, part of the original Athlete’s Village built for the 2012 Olympics; and what struck me was the unspoilt, manicured cleanliness of the area. 

I’ve taken this shot at ground level to accentuate the trimmed bright green hedges. It also helps to highlight the symmetry of the surrounding high rise tower blocks with the street lights on one side, and balanced by the angle of the building on the other. The hedges appear to narrow in on the pedestrian highlighted in white at the centre/bottom of the picture. You can just see her with a snatch of colour from an orange bag (possibly a Sainsbury’s carrier bag), and just in view, the red ‘don’t walk’ sign on the hidden traffic lights (zoom in and you’ll see it).

The shot also helps to remind me of the excitement and the crowds that would have been prevalent in the summer of 2012 as the country (and world) welcomed the sporting elite and others to London. Maybe I’ve captured more than I’d imagined?

Settings: Camera – Canon EOS 200D; Aperture – ƒ/8; Shutter Speed – 1/160; Focal Length – 35mm; Film Speed – ISO250; Google Photo Filter – Alpaca

#55: Watford Junction – ‘Tiled Illusion’

'Tile Illusion' - light refracting through the entrance of an underpass which is covered in coloured tiles

18/06/2019 – This underpass, one of many in the area, is the most colourful and cried out to have its picture taken. I tried different settings, and what makes this one work best for me is the use of flash to highlight the colour of the tiles balanced with the rectangular light effect created using the light coming through the far side of the underpass as it hits the walls on either side.

I’ve referenced in the original blog that of a lady walking through the tunnel: she was kind enough to agree to my taking her picture provided I didn’t get her face, as having someone walk through helps to explain the underpass’s function. I’ve used that picture in the original story, but I’ve selected this one, devoid of the pedestrian, as the lighting effect is unexpected and it helps create a lighting juxtaposition between the horizontal light effect through the tunnel and the vertical lines as you’re eyes are guided through the tunnel

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/160; Focal Length – 18mm; Film Speed – ISO3200; Google Photo Filter – Palma

#56: Chesham – ‘A Step in Time’

'A Step in Time' - a pedestrain walking down a flight of stairs leading to an underpass. The picture is in black and white

25/06/2019 – This picture is taken in an underpass to the main road, just by the Library. The underpass has a sequence of children’s murals on its walls; placed there no doubt to brighten up a depressing cut through. I’ve kept the briefest of reference to these murals in the picture on the left hand side, by way of helping to put the picture in context. The steps are pretty uninspiring but I was drawn to the symmetry and colour of the yellow handrails and the somewhat leaf strewn stairs. I had a vision however that this could look striking in black and white.

I’d taken a few shots waiting for pedestrians to walk through as I wanted a ‘clean shot’, so I had a few in the bag with the settings just right. Then I decided it might make for a better story by including someone on the steps, and when I saw this person just coming into view I quickly captured her walking into frame.

I’ve applied a Google Photos ‘Vista’ filter to create a harsh and grainy black & white effect which I think gives the picture some depth. And curiously though, and this is a secondary feature, if you look closely at the central handrail and the joining ‘T’ metalwork, they look like a parade of faces in their own right, maybe guarding those walking through or the mural itself?!

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/200; Focal Length – 55mm; Film Speed – ISO2000; Google Photo Filter – Vista

Categories
Memories

Memories No 06 – from New Addington to Richmond

My sixth blog outlining the stories behind my ‘Pictures of the Day’. For this week’s review, I travel to the ends of the Central, District, Hammersmith & City, Jubilee and Tram lines through the New Year into late February 2019.

Not such a harsh winter to stop me going out, with maybe a few dull days, but more influenced by the shorter daylight hours than inclement weather. This week’s portfolio seems to have somewhat of a window theme to it. Either looking through; looking from or looking at. Not all, but most of them.

See what you think and please tell me which is your favourite picture, and why. You can contact me through any of my social media channels. So here goes for week 6. Please let me know what you think?

#36: New Addington – ‘Golden Alcoves’

10/01/2019 -This is the altar inside St Mary the Blessed Virgin church in Addington Village.

I took a series of shots with different settings, but this one is the most striking. I’ve not used flash here as I wanted to glorify the stained glass windows by keeping the rest of the church in the shadows. The combined effect of the light coming through the windows, and the low uplights in each recess transforms the final effect.

I’ve marginally cropped the picture to balance the three windows so that the middle one is centrally aligned, and a Bazaar (blue) filter to enhance the colours in the alcoves and windows. This is as close to the real image I could get, and I’m pleased with the outcome.

Golden Alcoves inside St Mary's Church, Addington Village

Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/100; Focal Length – 27mm; Film Speed – ISO5000; Google Photo Filter – Bazaar

#37: Edgware Road – ‘Minion Memories’

15/01/2019 – This is easy to explain – it just made me smile…

This scene, in a flat window in Porchester Place, a road that runs parallel with Edgware Road, is simply entertaining. I’ve cropped the picture and enlarged this portion, so I expected the quality to be affected. But I’m pleased that the detailed numbering on the Minions are still sharp enough to read.

Minion Memories in a window along Porchester Place

Settings: Camera – Canon EOS 200D; Aperture – ƒ8; Shutter Speed – 1/200; Focal Length – 55mm; Film Speed – ISO1600; Google Photo Filter – Blush

#38: Woodford – ‘The Broadway Deli’

22/01/2029 – This one fits the bill for several reasons:

  • It’s a reminder of the time spent at the Deli & Grocery
  • Although the picture is ‘busy’, everything is framed and each window has its own story – if you zoom in on each pane, you can decide for yourself
  • The brief inclusion of the letter box acts as a reminder this was once the post office
  • There is an interesting juxtaposition with Sainsbury’s reflection providing a contrast between independent and chain retailer – I know which I prefer
The Broadway Deli & Grocery in Woodford

Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/100; Focal Length – 30mm; Film Speed – ISO100; Google Photo Filter – Blush

#39: Hammersmith – ‘Argosy’

29/01/2019 – This is one stack of books of many on display in the library in the Terrick Dining Room within Fulham Palace. I’ve selected this one more for it’s quizzical nature as on face value there are ‘stories within stories’ here. Such as:

It’s a simple picture which I’ve closely cropped so that the books themselves are the story in this picture.

Click on the links to answer the questions yourself…

A row of Argosy publications in the Terrick Dining Room at Fulham Palace

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/50; Focal Length – 48mm; Film Speed – ISO6400; Google Photo Filter – Alpaca

#40: Stratford – ‘A Walking Silhouette’

05/02/2019 – This was an easy one to identify as once I’d seen the outcome of the shot I knew it worked. The location, seasoned district line commuters will recognise, is the walkway between the Jubilee and District lines at West Ham.

I was trying different settings to catch the light and as commuters passed in waves, some looked my way. Those shots didn’t work, but persevering, this guy in muted commuter mode ignoring everything around him, provides a great silhouette.

The hazy background works well too as the pixelation created by the 60’s style wall tiles lets you see the immediate and distant London scene, and thereby creates a picture within a picture.

'A walking silhouette' along the walkway between the Jubilee and Distric lines at West Ham station

Settings: Camera – Canon EOS 200D; Aperture – ƒ4.5; Shutter Speed – 1/125; Focal Length – 37mm; Film Speed – ISO100; Google Photo Filter – Metro

#41: Wimbledon – ‘Rads on a Rack’

12/02/2019 – High up in Wimbledon Village, along its High Street, is the cast iron radiator shop Castrads, and as I walk past I admire the window display and walk into the shop introducing myself to Sam Mayel-Afshar, one of the owners. I explain my journey and ask his permission to take some pictures; he’s more than obliging. The window features rows and rows of miniature radiators in a very impressive display and this is today’s Picture of the Day.

Standing inside the shop and looking out of the window, I capture the silhouetted effect of the mini-radiators set against a backdrop of the street parking, over which I have no control. However, I position the shot in such a way by casting the blue van almost centrally and balance it with the decorative lighting peeking through the display.

This took some time to get the right composition and then waiting for pedestrians walking by or looking into the shop from outside to pass by. A slight blue filtering effect helps to complete the shot

'Rads on a reck' inside Castrads in Wimbledon Village

Settings: Camera – Canon EOS 200D; Aperture – ƒ5.6; Shutter Speed – 1/160; Focal Length – 47mm; Film Speed – ISO100; Google Photo Filter – Bazaar

#42: Richmond – ‘A Lonely Daffodil’

19/02/2019 – I’ve taken this shot along the Thames at Buccleuch Passage, the footpath that leads you along the river from Richmond towards Richmond Park. The exact spot is overlooking the seated terraced area of Gaucho, a fine dining restaurant.

Seeing the daffodil all alone, my first thought is that it’s been discarded on the table, but if so, it’s probably not been discarded for long as it’s still looking healthy.

What catches my eye is the colour contrast as the outside seating area is bedecked with artistically styled white chairs against a backdrop of black decor. The yellow of the daffodil just ‘spoke’ to me. Now maybe it’s because I’m Welsh and we’re fast approaching St David’s Day, but I felt the colour contrast was striking and it represented a ‘moment in time’. I’ve cropped the picture closing in on the star of the picture – the daffodil

'A Lonely Daffodil' on a table outside Gaucho's restaurant by the Thames in Richmond

Settings: Camera – Canon EOS 200D; Aperture – ƒ7.1; Shutter Speed – 1/320; Focal Length – 55mm; Film Speed – ISO100; Google Photo Filter – Auto